Topher Brink (
brink) wrote in
applesaucedream2013-01-03 10:09 pm
Dreamwalking [open to multiple]
Topher is dreamwalking. It's a trick he picked up when he came through the rift in San Francisco, and he's gotten quite good at it since then. He's not quite able to pick a specific dreamer's mind yet, but he's learnt how to visit only those who've been significantly affected by the rift, either by coming through it, or being changed by it.
He jumps from one mind to another, looking for rifties he hasn't met, at least not in dreams. These days he barely sleeps at all without jumping from mind to mind, perhaps because he's lonely. Christmas hadn't exactly helped.
Some people will barely notice he's there, but there are those who do, who recognise him as an outside element rather than a figment of their own mind. Having a certain amount of control over his avatar while in dreams, he chooses to appear as a hooded ranger, straight out of a fantasy novel. Mostly because he thinks it looks badass, and stops him from being recognised easily.
[OOC: Anyone feel free to make a thread with their character asleep and dreaming, and suddenly having Topher appear in their head. Whether they'll be lucid or not, or what they're dreaming about, is up to you.]
He jumps from one mind to another, looking for rifties he hasn't met, at least not in dreams. These days he barely sleeps at all without jumping from mind to mind, perhaps because he's lonely. Christmas hadn't exactly helped.
Some people will barely notice he's there, but there are those who do, who recognise him as an outside element rather than a figment of their own mind. Having a certain amount of control over his avatar while in dreams, he chooses to appear as a hooded ranger, straight out of a fantasy novel. Mostly because he thinks it looks badass, and stops him from being recognised easily.
[OOC: Anyone feel free to make a thread with their character asleep and dreaming, and suddenly having Topher appear in their head. Whether they'll be lucid or not, or what they're dreaming about, is up to you.]

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He proves his point by letting the strip-joint fade away, but not to be replaced by anything this time, just white fog. Peter's mind might still be trying to fill the place will details, but it will only manifest as things glanced out of the corner of his eyes, impressions immediately gone if he tries to focus on them.
Topher's trying to scare Peter now. Probably getting a bit carried away with his role, if he were honest with himself. He watches too many movies. It's slightly less cruel than bringing the vampires back, though. But so far Peter has come across as a bit of a dick, so he doesn't feel too guilty.
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"Stop it," he says, meaning to sound demanding and harsh, but coming out sounding worried. He fixes his gaze on Topher once more, and tries harder to dredge up an imposing air. "Get the fuck out of my head!"
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"Las Vegas," he snaps after a few moments more of that. His accent doesn't match Vegas even in his dreams, but Topher did ask where he'd come from before the rift, not where he was from originally.
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He can also tell Peter isn't lying, feeling it like an energy in the air, or what passes for air. Lying in the dreaming is different than lying in meatspace. There's other things you have to fake besides body language, and Topher has gotten used to picking up on the tells, and it doesn't seem like Peter would be used to having to hide them.
He takes the opportunity while Peter is thinking about where he's from, and makes the surroundings change to the location in Peter's mind. A posh, roomy apartment of dark stone and glass materialises around them.
"It's quite nice," he comments, looking around and nodding appreciatively.
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"Yes, very clever," he spits, not realizing that his clothing has changed to the lounge wear he was accustomed to wearing in this place. It doesn't leave much to the imagination. He's more relieved than he'll admit to be out of the fog, though now he's trying his hardest not to think of other things from home.
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"Nice outfit," Topher comments, though he keeps most of the amusement out of his voice. Mostly out of respect given the emotions he can feel subtly emanating from Peter. "Did you have this place to yourself?" he asks. The dreamspace is still quite open to Peter's influence and thoughts.
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"Yes," he lies sharply -- and there's exactly the thought he was trying not to think. He tries to block it out, but it's too late.
"Only because none of his groupies would come back a second time, after they couldn't find his little prick," says Ginger. Her image is hazy as she lounges in the doorway. "I always had to use a magnifying glass."
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Though her manner is not exactly friendly or flattering, Topher picks up on what he thinks is sadness and longing at her appearance.
"Do you miss her?" he asks, his voice suddenly much more soft and sympathetic. His intimidating air is all but gone. While of course he still potentionally poses a threat, the feeling he is giving off now is trustworthyness. He's not sure it will work, but it's worth a try.
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He leans against the bar and stares at Ginger, who looks around a moment as if trying to figure out what he's looking at, then casually flips him off. "Yes," says Peter at last, quietly.
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The fact Peter doesn't bother to lie this time, even in person, convinces Topher this is a conversation he'd rather have in person. His disguise fades away, and is replaced by how Topher would look on a regular day in meatspace, looking sympathetic and vaguely sad.
"I'm sorry," he offers.
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"Why should you care?" he asks bitterly.
Ginger rolls her eyes and speaks to Topher. "Don't even bother; I'm pretty sure it's his time of the month again already."
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It occurs to him, however, that talking to Ginger might be a good way to talk directly to Peter's subconscious, albeit seen through a filter. "Why vampires?" he asks, just as much to Ginger as to Peter.
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"Don't," he says sharply to Ginger, seeing her open her mouth to reply. She pouts, pointedly turning her attention away from him. "Why do you think?" she asks, flicking her hair away from her face. Peter's stomach lurches as her appearance shifts, blood dribbling down her nightshirt from the jagged, raw hole in her throat.
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It's not a pleasant surprise when the woman changes appearance. The meaning is obvious. So Peter was already missing her before he came her, it's not just that he can't go back to his home universe. Topher can empathise quite easily with that.
Topher doesn't imagine either of them really wants to see her like that, so Topher wills her away completely. Even the puddle of blood at her feet disappears.
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It hurts to see Ginger go again -- though it's also a relief, a fact that also hurts. "Fucking cow," he mutters to himself under his breath to make himself feel better. Of course she'd show that to this stranger. Out loud, he says, "Happy now? Saw what you came to see?"
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"No," he answers finally. "It's more important to me what you're doing in the city, not before you got here. Whose shelter have you sought?"
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Peter watches the other man from where he still stands at the bar, pouring himself another placebo. He wants to feel vindictive when he realizes that some of the pain in the air isn't his, but mostly he just feels bitter and empty.
At the question, he sets his jaw and glares at Topher. "Get. Out."
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"As you wish," he answers, and without another word he fades away, leaving Peter's mind completely.
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