The Baker's Wife (
andhiswife) wrote in
applesaucedream2015-01-18 07:16 pm
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A Time to Rise and a Time to Fall [Open to Multiple]
Greta dreams of falling (again, and again).
The path ends abruptly. Maybe there never was a path, only a deceptive stretch of ground, free of any undergrowth, that looked like it could be one. Either way, she's left standing on the edge of a sheer cliff, looking down at the leaf-strewn forest floor far below her. A small rock tumbles down, as if for the sole purpose of illustrating the length of the drop. It seems to take ages to reach the bottom, clattering off exposed roots and finally thudding to the ground.
There's a roaring in her ears like a great wind, but it isn't the wind. The earth shudders beneath her feet. She reaches out wildly for something on which to steady herself, knowing even as she does so that she'll miss; she always misses, it's so stupid. Maybe she deserves whatever comes next.
But she doesn't miss. Her hand closes around something - not a branch. An arm? Whatever it is, she isn't letting go.
[ooc: whoops, Greta's dropped into your dream. Or you've dropped into hers. Whether you want them both to be in her giant-plagued forest or in a setting more familiar to your character is up to you. Poor Greta's just gonna have to roll with it either way.]
The path ends abruptly. Maybe there never was a path, only a deceptive stretch of ground, free of any undergrowth, that looked like it could be one. Either way, she's left standing on the edge of a sheer cliff, looking down at the leaf-strewn forest floor far below her. A small rock tumbles down, as if for the sole purpose of illustrating the length of the drop. It seems to take ages to reach the bottom, clattering off exposed roots and finally thudding to the ground.
There's a roaring in her ears like a great wind, but it isn't the wind. The earth shudders beneath her feet. She reaches out wildly for something on which to steady herself, knowing even as she does so that she'll miss; she always misses, it's so stupid. Maybe she deserves whatever comes next.
But she doesn't miss. Her hand closes around something - not a branch. An arm? Whatever it is, she isn't letting go.
[ooc: whoops, Greta's dropped into your dream. Or you've dropped into hers. Whether you want them both to be in her giant-plagued forest or in a setting more familiar to your character is up to you. Poor Greta's just gonna have to roll with it either way.]
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She's definitely not braced for a cry of pain, and she startles almost to the point of toppling right off the rock. "Are you all right?" she asks, laying a hand on his back, the gesture serving both to comfort him and steady herself. "Did…" she trails off as he moves his arm freely. It must have worked. She releases a breath, then takes back her hand so she can start undoing the bandages. He won't need them anymore if he's fully healed, and she rather wants to check for herself.
"That was certainly dramatic," she mutters, faintly scolding, though there's a smile tugging at her lips.
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The bandages unravel to reveal healed skin! It's not quite exactly the way it was before; it's red and irritated and obviously new. On the bright side, the scarring that probably should have happened does not seem to be present. The Balladeer tilts his head to look at it, then pokes it with his other hand. "Wow. Would you look at that?"
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But his shoulder provides an excellent distraction. Greta hums pensively, resisting the urge to prod the new skin directly and instead letting her fingertips come to rest an inch below where the wound used to be. "Does it hurt at all?"
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Can there be bears here? Obviously his subconscious has no problems with throwing him into danger, but he's never even seen a bear before. "As long as it's not another person with a gun," he decides. Bears at least won't monologue about why their attempt to eat you is actually morally justified.
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And oh, dear, she really has put the idea of bears into his head. "This doesn't seem like the sort of place for bears," she says, even as she scans the trees for any tell-tale patches of dark fur. "But compared to Mister Booth, a bear would probably be sweet." At least bears only attack for sensible reasons, like protecting their young. Booth had just seemed arbitrarily nasty. She gives the Balladeer a pensive look. "Are they often like that? Or were they, before you came through the Rift?"
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Bringing up Booth is usually a good way to completely sidetrack the Balladeer now. "He's always like that," he says contemptuously, "but the others weren't. Not always. Most of them will usually tolerate me being around, even if they're not friendly. But...I got in a fight with them, right before the Rift took me. It was..."
He falls silent for a second, grimacing. "...it was worse than usual."
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Well, not that she'd noticed.
"Are you all right?" she asks quietly, wondering if they actually did some damage before the Rift intervened.
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He'd thought so, at least. No, no, they DO. Since when are the assassins good at realizing what they need, as opposed to just what they want? "I'm fine," he assures her, shoulders hunching in on himself a little. It's true; he's not hurt. He didn't even have a bruise. It's just that his memories of his last moments there are oddly blurry, and that isn't something that happens to him - not in his own world.
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He doesn't look fine. Well, how could he be?
Greta hesitates, then sits back down beside him. She doesn't want to pry, and she doesn't know how to comfort him, but she does want to offer something. After a few moments' thoughtful contemplation of the river's surface, she finds herself saying, in a ludicrously light, conversational tone: "I fell, right before the Rift got me. The giant was there, and I…" she trails off into a quiet, humorless laugh. Regroups. "Clumsy of me. But at least the Rift timed things well for both of us."
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He turns back to furrow his brows at the river again, not pressing the point. Maybe he just doesn't want to know for once.
After a few moments, he agrees in a soft tone, "Pretty lucky."
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She tries not to think about it.
But she isn't sorry she mentioned it. He gives her no reason to regret bringing it up. She just feels a strange, sad sort of kinship with him. When he looks back at the water, she lets out a slow breath.
"… How do we wake up?" she murmurs after a moment. She'd like to, she thinks. "If this is your dream, can you just… kick me out, or something? Not literally," she hastens to add. And it's not as if she required an invitation to get here in the first place; he seemed as surprised by her arrival as she was.
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How to kick someone out of his dream? He might have considered pinching, or maybe trying to startle her, but even if he had the heart to try that now the Balladeer is sure that the gunshots completely qualified. "We could just wait. We'll have to wake up eventually."
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"Pity you left your instrument behind." That might not be the best change of subject, but then again, if she can fix his shirt, and he can fix his shoulder, how hard would it really be for him to just make it reappear? "What was it? Maybe you could bring it back."
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The Balladeer casually reaches down on the other side of the rock and produces the banjo, as if it had been sitting there all along. "I know how to do it with instruments already," he explains. "It doesn't work anymore when I'm awake, but I guess that'd be too easy."
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subterranean denresting place? But then he'd have to keep popping back there whenever he wanted to switch instruments, and… you know what, she's just not going to question it right now."Not a guitar, then," she guesses, resisting the urge to give that drum-like head a curious poke. She's familiar with its odd, twangy sound from before, but it's not like anything she's heard outside of this strange dream. "Could you play something? Maybe something that isn't about murderers?" That would at least pass the time, and goodness knows how much of that they're going to have before they wake.
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"It's a banjo," he explains, shifting to give her a better look at the instrument (and totally poke it if she wants, he doesn't care). "They're traditional American instruments, kinda folksy." Which explains a little bit about what just happened back there with him and Guiteau.
He starts playing a tune, not putting words to it quite yet. "I have a few instruments back home - each of them takes something different."
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It's an odd song, whatever it is. Less like what he played before, more meandering and vaguely mournful. "And are they all stringed ones, like this and the guitar?" It's a little difficult for her to talk over the music - her inclination is to fall into a near-reverent silence and just listen - but he seems to be treating the whole process much more casually than that, and she doesn't want to seem like a complete bumpkin.
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Maybe now that he's got a little more freedom, he could learn to play a few more? He could do a lot of things. "I'll have to show you, once I get a few more. Not in a dream, I mean." That'd be easier, but the banjo is good enough for now, and playing is more relaxing than rambling on about mandolins and ukeleles.
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"I'd like that," she says, pleased and a little surprised by the offer. She's not a complete stranger to various instruments
(given the orchestra that used to follow her around), but it's been years since she's had the time or opportunity to devote her full attention to them, if only temporarily. Even now, she falls silent in favor of watching the way his hands move. He makes it look so simple and easy.no subject
He returns her smile, eyes dropping to his hands for a moment. He doesn't really need to look at the strings, but it's just...interesting, making something up entirely out of the blue. This isn't any song of Greta's; he made sure of that before he started. After everything that's happened already, it's better to keep things light. "I always really did like playing," he confesses, "I don't mind that at all. But it's different doing it just for fun. And singing songs that aren't about murder."
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"I hope you were able to play for fun before," she says, trying to sound light but unable to fully mask an undercurrent of concern. Bad enough to be forced to revisit the same places over and over and deal with the same unpleasant group of people without also being limited to one little list of songs.
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"But it doesn't matter now." It does, maybe, a tiny bit. Manhattan's going to be a fresh start, though!
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"Well," she says, folding her hands in her lap, "I promise not to interrupt."
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He puts it out of his mind, smiles at her, and begins to sing the song. Worrying won't help anything.
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Of course, the refrain doesn't help. Has your mama been gone too long? She hasn't been gone a week, but she still worries about how her little family is faring. The littlest, in particular. How is her son supposed to do without her? Aren't there enough motherless children out there without consigning him to the list as well?
She keeps her promise not to interrupt; she won't spoil this novel opportunity for the Balladeer. But her smile fades, and her hands are no longer folded so much as clenched together.
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