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applesaucemod) wrote in
applesaucedream2015-07-02 08:31 pm
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Entry tags:
- character: gabriel,
- character: greta baker,
- character: iman asadi,
- character: johnny truant,
- character: rashad durant,
- character: the balladeer,
- dropped: gus fring,
- dropped: jay merrick,
- dropped: nicholas rush,
- dropped: seth,
- dropped: the tardis,
- dropped: tim wright,
- party post,
- retired: bee,
- retired: peter vincent
Saving Lives a Mile High [open to all]

What's that? No, of course it's normal to wear spandex (or leather, for the more chic among you) and go around beating up muggers and thwarting your villainous counterparts, don't be silly. What else would you do with your afternoon, not use your superpowers to better the world? That's grossly irresponsible of you; don't you know that with great power comes great responsibility?
So get out there and make the world a better place -- and be sure not to let that disguise slip if you do make it in to work today. Wouldn't want anyone to learn your secret identity, after all.
[OOC: Characters will find themselves thrust into the role of superhero...or at least, super-powered human. Whether they'd use those powers for good or evil (or use them at all), they'll think they've always been this way (or maybe just since that time they fell in toxic waste and developed
frantically improvises
Or no, not even. He's shooting three times. Three times is overkill, literally. Two is for kill, three is for fucking disintegrate. Granted in this case it might actually be warranted. Cursing rapidly and bilingually under her breath she darts away, giving Nhodd an extremely wide berth as she launches herself back toward the fire escape, scaling it up. "Nick!" she snaps, trying to get his attention over the din. If this gambit hasn't worked they need to get the fight off the street or people are going to start getting hurt. This fucker can fly, so the roof isn't exactly an optimal battleground, but there's 100% fewer bystanders up there and she'll take that.
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Is it ending? He burns for what feels like an eternity, but in reality he burns bright, hot, and fast, the forced transduction leeching out his own aetheric energy with it, leaving a scorched but extinguished Nhodd to make a rough landing a little further down the street, gaze flicking about as he tries to locate his enemies. There -- Nick. The one that can injure him from a distance. He is farther away than he should be to attempt it, but attempt it he must -- Nhodd reaches out a hand, fingers curled into claws as he tries to forcefully draw energy from the human. Nick will not fight him if he does not have irrational feelings dictating that he must do so; that is the way of things.
tw: bone breakage and physical trauma
It would be terribly fucking consistent for him to have encountered the first enemy that simply refuses to combust or overload and simply be done with it. He flinches against the inhuman sounds spiraling from the thing as it immolates with a blazing intensity unhelpfully amplified to the nth degree, the raw howls through torn vocal cords.
He turns and squints to look at the thing he does not want to look at, the image of Icarus fixed rigidly in his mind as the thing bears itself upward, propelled by a clap of flaming wings, trailing gray ash and black streaking smoke.
Something lodged in his chest wrenches as the silhouette of a hand stretching toward him carves itself into his retinas.
Something is leached from him. Something he cannot cling to. Something fluttering and feeble and vital and he seizes at it with wild ferocity and it strikes him that a second noise echoes in counterpoint to the first and it soon becomes clear that it is the agonized sound stretching from his own throat as he reaches and becomes weightless and ceases to be a fixed point, his body an object set on a predetermined downward course.
He lands heavily on one arm, cracking against concrete in an aborted roll that skids him over blackened sidewalk and the charred outline of powerful wingbeats. He can see the sky. He can smell the ash. He cannot breathe.
tw some more vague bone breakage stuff, eeugh
"Nick!" she screams, her head snapping down to stare, oh god, oh god, is he even alive, it wasn't that long a drop but-
No, he's moving. Moving, alive, but visibly not in a good way.
"Fuck!" She slides back down, landing heavily and dropping to her knees beside him, reaching out to press her hand to his unfucked shoulder. The air is thick and awful down here. Is he even breathing? "Nick, can you hear me?" She hovers her mechanical hand over his broken arm, she can't heal it but she could reset it and dress it if she had to. She isn't tracking their enemy right now, which is stupid, a stupid fucking mistake, but she isn't going to just leave Nick here on the ground, not ever and especially not like this.
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Nhodd staggers to a landing, not sure for a moment where he has come down. His skin is tight, sore, wrong, his very cells raw with the effort of serving as conduits for such intense heat. His fire flickers out as he hits the ground, all the heat burned out in that one great conflagration, leaving him scorched and dim. He shakes wings that shed hot ash on the pavement, and it's not until he's blinked the ash out of his eyes that he remembers that he should be feeling another kind of energy flowing through him. Where are Nick's emotions? There's a trace of it, but it's like the source was cut off midstream. Is the mortal dead? He did not intend that.
He draws a ragged breath and turns to search out -- yes, there. Not dead, relocated. Fallen. The other one over him now, neither looking at him. He might escape detection were he to simply turn and go, leave to go about his business elsewhere without their interference. Or he might turn to go only to be interrupted again.
Decision made, he strides toward them, hand outstretched. He will finish what he started with the one on the ground, take away the drive from both of them so that they stop, so that they will let him carry out his mission of peace.
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He makes a noise; rough, ravaged, unformed, the pronounced scrape driving itself into the back of his throat with blazing, terebrant persistence.
His shoulders spasm in a cough, and he realigns his objective and tries again.
"Move," he rasps, and rolls over and slams Asadi's arm out of the way and fires the weapon in his hand.
The weapon does not discharge with a streak of blue, and it is not of the same snakelike design.
It fires a grapple, hooked and curved, its sharpened tip aiming for the thing's outspread wings.
well this is totally brutal gosh sorry rashad
But there is no time to think about any of this. There is raw instinct and the rhythm she and Nick have developed, and these alone are enough for her to jerk to the side as directed, pivot on her organic arm, raise the mechanical one, and fire a reflexive burst of etheric energy, designed to envelop and tug the creature forward sharply, driving him to meet Nick's grapple with force and momentum.
cw: broken bones, limb trauma
His arm doesn't drop, but he stumbles and his wings flap like an enormous, awkward golden pigeon as his body is yanked forward. It's while he's off balance that it registers too late, far too late, that it's not blue energy rushing at him but something very physical. The correct response was not to anticipate energy but to lose his tangibility, but he is devastatingly solid and physical himself in the moment when the wicked hook punches through his wing, hollow bones shattering under the impact.
tw: brutality and physical trauma, mild bone/joint-related body horror
Possibly he screams. Possibly.
In a largely pointless expenditure of energy he cannot afford to be expending, Nicholas rolls to his feet apropos of little to no forward momentum to speak of, his voice tearing with the effort of rising, his bones grinding over one another in agonized chorus.
His arm is a limp and mangled thing by his side, and so it can be disregarded.
He moves forward with swift efficiency and pins the thing's fluttering, damaged wing beneath one heel and leans heavily forward, mercilessly yoking all of his weight over the wing he and Asadi willfully shattered via blunt application of physics.
"I suggest," he says, his voice trembling with poorly-concealed strain, "that you don't move."
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Nhodd is railing wildly in a mixture of agony and savage rage, the pitch and fervor increasing sharply as Nick steps down on the wound he made. She keeps her stare cold. This is more brutal, more gruesome than either of them are generally accustomed to - this really escalated in a direction she did not anticipate. But they're here now and they can't afford to give any ground. So, she threatens.
"Restore them," she barks, indicating his blank-faced victims who are still lingering nearby. "Or we'll break the other one."
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"Stop!" he howls, halfway between a demand and a plea. His shaking hands wrap themselves around Rush's foot, trying to lift it or at least to stop it pressing down any harder. "Get off me!"
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"I'd do as she says," he murmurs, his voice low and dangerous. "Or I may - " he stresses the threat with an abrupt increase of foot pressure, " - be forced - " and he brings his face nearer to the thrashing man beneath him, teeth bared in a snarl, " - to be more creative."
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He is not a wannabe, he is an angel and they are impeding his holy mission and yet all he can think about is how much it hurts, how he'd do whatever he must to make the pain stop.
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"Turn them back." He can feel the ridge of hollow bone beneath his thumb and he presses slowly, deliberately down upon it. "Now."