Johnny Truant (
johnny_truant) wrote in
applesaucedream2015-07-26 10:40 am
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they say you're getting better, but you don't feel any better [closed]
He dreams more and more of the house, more like the days before the rift when it haunted him almost every night and he stopped knowing the difference between sleep and hallucination. Sometimes he doesn't know they're dreams; often he does, and he knows there's help to be summoned if he wants it, but he doesn't want it. He deserves this. It's drawing him in, growing larger and larger at the back of his head, fed by too much probing and rearranging, fed by his own unwillingness to escape.
Tonight he knows. He stands in a massive, almost decadent foyer, never what Zampanò described, this would never be the house that Will Navidson and Karen Green moved their children into, but it doesn't matter, because the house can look like whatever it wants.
He stands for a moment, noting the stairways and the halls feeding into other rooms, and the various choices of doors. Just stands and observes, calmly, impassively, like he's memorizing it for something.
He has to pick a direction. He has to go somewhere.
His body tilts gently and pivots him to his left, toward the door that should be a coat closet, and he knows is not.
He opens it and steps through, letting himself cross into the belly of the beast, the true house interior, where everything is dark and ashen and quiet and cold. He moves forward, dread weighing him down heavily but not enough to pull him back, afraid but not enough to run. He moves like he's in a trance, like he has no choice (and he doesn't). The house is pulling him in, like it always does, it wants so heavily, so hungrily, and for whatever fucking reason it wants him.
He walks into the darkening, narrowing passage until he finds stairs, and then he descends.
Tonight he knows. He stands in a massive, almost decadent foyer, never what Zampanò described, this would never be the house that Will Navidson and Karen Green moved their children into, but it doesn't matter, because the house can look like whatever it wants.
He stands for a moment, noting the stairways and the halls feeding into other rooms, and the various choices of doors. Just stands and observes, calmly, impassively, like he's memorizing it for something.
He has to pick a direction. He has to go somewhere.
His body tilts gently and pivots him to his left, toward the door that should be a coat closet, and he knows is not.
He opens it and steps through, letting himself cross into the belly of the beast, the true house interior, where everything is dark and ashen and quiet and cold. He moves forward, dread weighing him down heavily but not enough to pull him back, afraid but not enough to run. He moves like he's in a trance, like he has no choice (and he doesn't). The house is pulling him in, like it always does, it wants so heavily, so hungrily, and for whatever fucking reason it wants him.
He walks into the darkening, narrowing passage until he finds stairs, and then he descends.
no subject
They're aware that their body is sleeping somewhere, and it's a minor annoyance that they are, apparently, required to have a physical form here, but for the most part watching the dreams of mortals has been enough of a distraction that they haven't worried too much about it.
But this, now, this is something they haven't encountered before. Some sort of presence, familiar and foreign at the same time. Desire is roused from their idleness; they need to explore this thing. They wander through the arterial corridors of their illusion-home, feeling out the presence and letting their own dream mingle with this other one. The scenery shifts, and Desire finds themself standing in their gallery, or some poor excuse for it. They frown in distaste as they see the row of portraits: the frames are full of buzzing static where their siblings should be, the plinths empty of sigils, as if to illustrate just how very alone they are here. Desire shudders.
They turn away and catch sight of a hole in the wall where there would not be, not if this was their actual residence. They are certain it didn't exist a moment ago. And there is no sign of where it might lead, because there is nothing but darkness, but Desire approaches it anyway because that strange presence is stronger here, this is what they've been looking for. They stand in the doorway and peer inside, noting the way the walls seem to absorb the light coming from Desire's dream. Oh this is interesting. They reach through and give the wall a light stroke, exploratory, and smile at the coolness, the hush of expectation.
"Well hello," they say with a smile, and cross over into the darkness. "Aren't you lovely."
no subject
He pivots gently, moving toward the sensation of intrusion. He reaches out and feels a hand along the ashy wall, guiding himself up a passage, toward an eventual pinprick of light, a figure silhouetted against it.
He steps closer.
"Who's there," he says, low and almost indifferent.
hijinks ensue
"Hello," they say with a smile. "I might ask you the same thing." They will be friendly; they still can't get a read on what it is, but it feels close enough to something they can converse with, if not one of their own kind. It would be better in this prison to have a compatriot than an enemy.
:o
"I, um." He fidgets self-consciously. "I'm - well, this is my dream." He tilts his head up at them, cautious, like he's afraid to look them directly in the eye. Beyond them, outside his realm, is a house he doesn't recognize, brighter and decadent than anything he could ever dream. "I think." He swallows heavily and looks back up at them. They aren't much taller than him, but they are. Just enough. "I'm Johnny."
*[[unless, of course, any initial meeting had been retconned out of existence]]
no subject
They sidle closer to him, and tilt their head just a bit; it's confusing, they cannot yet discern enough of his nature, though they can sense his attraction, sharp and superficial. How odd. A more direct approach is required, perhaps: they reach out and stroke his hand and even in this dream state they can tell how concentrated he is, physical and finite and not at all the vast cold thing they were expecting.
"Oh," they say softly, the tiniest bit bewildered, "but you're a...human being."
no subject
It's very fucking possible.
He seems to attract nothing but gods and monsters.
He can't begin to guess which one they are. A little of both, maybe.
He makes no motion to pull his hand free. He doesn't mind it. There might be some faint tension in his fingers, but he doesn't mind that either.
no subject
"You say this is your dream," they continue, intrigued by this mortal all the same, "but this place, it's more than that, surely. How is it that you can be so human and yet this is a part of you?" Because that other, deeper consciousness is still there, Desire is aware of it, somehow attached to this small and meek creature. He's more interesting than any of the other humans they've observed, of that they're certain.
no subject
ohohohoho
"I've more experience with dreams than you might expect, and it's not terribly difficult to tell that you are...conjoined with this one, as it were. It has the weight of history behind it, it's palpable." They punctuate their statement with a squeeze to Johnny's hand. This little mystery feels like a present, one that they'll take their time unwrapping.
no subject
He's been questioned about the 'history' before.
The squeeze jars him a little and he makes a cursory attempt to pull his hand free.
"None of your business," he says. Coy didn't work, rudeness is apparently the next logical step.
no subject
"I'm only curious," they murmur, leaning into him. "You can tell me, I assure you I'll understand."
no subject
He swallows heavily, staring up at them. "It's just a house," he lies again. "It's just - just this house I - I dream about." He presses his free hand back against the wall behind him, finding ironic comfort in it; a possible exit, as well as a trap.
"It's not for you," he says softly.
no subject
"Not for me?" they echo, with a tilt of the head. "Is that so."
They lean in until they make contact, brushing their chest up against him, one hand on the (pleasantly cold) wall beside Johnny's head, the other still gripping his hand. "Well," the murmur, their lips ghosting over his neck. "What about you, then?"
the dub con train is leaving the station all aboard the dub con train
And it's such an obvious ploy, using this to get at him, using him to get at the house, and there's a part of him that wants to resist, push them away, run, but the urge is dulled, whether by something they've done to him or by his own weak will he can't tell.
Does it matter?
"That's negotiable," he says, and hates himself for it.