The Big Applesauce Moderators (
applesaucemod) wrote in
applesaucedream2014-12-27 01:21 am
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Entry tags:
- character: daine sarrasri,
- character: greta baker,
- character: iman asadi,
- character: johnny truant,
- character: rashad durant,
- character: sunshine,
- dropped: andrew noble,
- dropped: daniel jackson,
- dropped: ianto jones,
- dropped: illyria,
- dropped: nicholas rush,
- dropped: seth,
- dropped: the doctor (12),
- dropped: the tardis,
- party post,
- retired: aziraphale,
- retired: melanie,
- retired: peter vincent
Better to Receive than to Give [open to all]
Somewhere in the cosmos, there is something bright, and young, and playful. Somewhere, this being watches over their little flock and does their best to make those people safe and happy. Somewhere, that godling and their flock celebrate the winter holidays in the happiest of dreams.
And somewhere closer at hand, a sleeping giant stirs.
The bright tapestry of dream threads gathered by Zephyr is suddenly yanked hard enough to pull it from its temporary mooring. Something entirely unlike the little godling reels in the dreamers so neatly gathered and packaged up for it, bringing its own toys back to their proper place and taking all the others it can with them. Unsatisfied, it reaches out again and again, dragging in dreamers from all across the multiverse. It will snare them, all of them, and then it will possess them completely.
Perhaps it's fitting that when the stolen dreamers arrive in this new shared mindscape, they'll find they've been designated the Rift's Christmas gifts to itself. Each might awaken inside a dark box, or cocooned in…is that tissue paper? When they claw their way out they'll be greeted by the sight of an enormous evergreen tree laden with twinkling lights and kitschy knickknacks looming overhead. Beyond the shadow of the tree the rest of the world -- that is, the living room -- is just as large. Or is it that the dreamers have just become very small? Giant packages wrapped in bright paper form an obstacle course, but the wooden floor of the room is wide open between the tree and the hearth where an enormous plate of cookies and glass of milk await a cataclysmic Santa Claus.
All in all, things are fairly normal as far as the rift's dream gatherings go…at least on the surface. The more telepathically sensitive among the dreamers may notice an undercurrent of something darker, more urgent, and more possessive than normal. The rift isn't just sampling the wares of other worlds tonight; this time it means to play for keeps.
[OOC: This is the second part of our crossover with
wethelost! Part one can be found here. Usual dream party rules apply: all players and characters are welcome regardless of whether they are currently in the game, and characters may remember or forget the events of the dream party at the discretion of their players.
For reference, characters of average human height are roughly four inches tall according to the scale of their current surroundings. There is an entire giant house beyond the living room; characters will find a kitchen and dining room on the same floor, a staircase outside the door of the living room that leads up to a second floor with two bedrooms and a bathroom, and another staircase off the kitchen that goes to an unfinished basement. Feel free to add details as needed!
This event takes place on evening of August 8th/morning of August 9th in Applesauce time, and December 31 in WtL time.]
And somewhere closer at hand, a sleeping giant stirs.
The bright tapestry of dream threads gathered by Zephyr is suddenly yanked hard enough to pull it from its temporary mooring. Something entirely unlike the little godling reels in the dreamers so neatly gathered and packaged up for it, bringing its own toys back to their proper place and taking all the others it can with them. Unsatisfied, it reaches out again and again, dragging in dreamers from all across the multiverse. It will snare them, all of them, and then it will possess them completely.
Perhaps it's fitting that when the stolen dreamers arrive in this new shared mindscape, they'll find they've been designated the Rift's Christmas gifts to itself. Each might awaken inside a dark box, or cocooned in…is that tissue paper? When they claw their way out they'll be greeted by the sight of an enormous evergreen tree laden with twinkling lights and kitschy knickknacks looming overhead. Beyond the shadow of the tree the rest of the world -- that is, the living room -- is just as large. Or is it that the dreamers have just become very small? Giant packages wrapped in bright paper form an obstacle course, but the wooden floor of the room is wide open between the tree and the hearth where an enormous plate of cookies and glass of milk await a cataclysmic Santa Claus.
All in all, things are fairly normal as far as the rift's dream gatherings go…at least on the surface. The more telepathically sensitive among the dreamers may notice an undercurrent of something darker, more urgent, and more possessive than normal. The rift isn't just sampling the wares of other worlds tonight; this time it means to play for keeps.
[OOC: This is the second part of our crossover with
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
For reference, characters of average human height are roughly four inches tall according to the scale of their current surroundings. There is an entire giant house beyond the living room; characters will find a kitchen and dining room on the same floor, a staircase outside the door of the living room that leads up to a second floor with two bedrooms and a bathroom, and another staircase off the kitchen that goes to an unfinished basement. Feel free to add details as needed!
This event takes place on evening of August 8th/morning of August 9th in Applesauce time, and December 31 in WtL time.]
Nicholas Rush | Stargate Universe | Big Applesauce
Oh fuck. Fuck. No. It's too small. His arms can't even stretch their full length in front of him, he can tell the plane parallel to him is a mere inches away from his nose as he breathes, tight and rapid and terrified.
He can't move. Fuck. Fuck. No.
Rush thrashes against the tiny space with exponentially increasing desperation, wiry and small and unable to find purchase in the smooth walls of his confinement. He can assign this, this space a designation of nonreality, because he may not have the clearest idea of where he was prior to this but he is reasonably certain that he was not boxed away and sealed into a coffin in recent history for fuck's sake.
He struggles momentarily to cry out, create the adiabatic transverse wave (his mental faculties are still in place and functioning but not altogether optimally) but the sound dies unformed in the rasp of a panicked set of unresponsive vocal cords. There's a whisper and crackle of paper beneath him, what, did no one have the fucking courtesy to embalm him before they buried him alive fuck fuck fuck he's had consciousness in this unreality for hardly a few minutes, he is going to die already, contained, muzzled, trapped, buried and alone and strangled and bolted into this private achromatic hell of vasoconstriction and dyspnea.
Finally, victoriously, the lid of his premature coffin gives beneath the pressure of a battering, writhing, panicking scientist slash cryptographer who launches himself immediately from his prison of cardboard and tissue paper with no fanfare whatsoever. Rush's momentum carries him as far as the base of a tremendous tree, and immediately as his back strikes it he sinks to the ground, trembling, making repeated and failed attempts to mitigate the crushing, vaguely postictal neural strain of trying to alleviate clenching, relentless panic, eyes snapped shut.
no subject
Fuck, how many people are wrapped up in these boxes? This seems seriously messed up, even by the usual standard. She picks her way over to the source of the noise, peering down the precarious slope of a red-wrapped box, and sees-
"Rush?" Oh shit, he doesn't look good. She grabs a handful of ribbon tied around the box she's standing on and scales her way down like a goddamn rock climber. Which is pretty badass, she thinks, but it's not like Rush is in any state to notice.
"Hey, hey." She crouches over him. Claustrophobic panic response, looks like, if he just fell out of his box. Pretty understandable. "Hey, it's Iman. You're okay." She rests a hand carefully on his arm.
no subject
The words reach through to him distantly, still clawing his way through the tachycardic, derealized mental ooze following the surge of physical panic. Rush shakes his head, a firm, restablizing motion that dims the high-pitch humming in his ears, if only faintly. He will simply need to reorder. He will simply need to -
"Fuck!"
Rush tears away from the unexpected contact, slides sideways with every intent of scrambling to his feet and stretching distance between himself and the second party but his legs do not entirely support his weight and he half-collapses instead, drags himself backwards a full foot away - relative to him, of course, and not the fucking enormous fucking tree, fuck this, fuck this in all conceptual, ideological, metaphorical ways there are to be fucked.
"Fuck," says Rush again, with slightly more grasp of his diction and also his linear focus, as his vision snaps onto - oh, pure dead fucking brilliant. "I - Ms. Asadi." The question creeps into the panted words as Rush lays partway on his back, propped up by elbows of questionable and tremoring support, pushing back the sensation of hand on skin.
no subject
"Shit." She lowers her hands again, chewing her lip. "Sorry. I, uh." There's not much to say, really, so instead she waits for him to give some kind of sign that he's conversation-ready.
no subject
"Fuck." One trembling hand sweeps the hair from his eyes, a movement meant to inject a form of normalcy into a situation where none exists. "What the - fuck."
Breathe and - compartmentalize. Rush understands a number of things. He has a number. Of things. Of groups. Categories. He can order them. He can. He can structure them. Item one - the container in which he had formerly been kept was not a coffin but in actuality an absurdly large fucking box wrapped in discordantly bright paper, like an oversized fucking Christmas present. Item two - the other surroundings, from tree to all other gifts, are equally inflated. Item three - Rush and Asadi and presumably every-slash-anyone else is not grotesquely massive. Item four - it is possible the house is of the average size and build of most houses and it is simply that their own relative size has been reduced. Item five - this is, assuredly, an unreality and therefore discreditable as a dream.
Thank fuck.
"Dream?" Rush guesses, the internal ticking of various points having at least lowered the rate of breathing and somewhat the jarring shivering of limbs.
no subject
Yeah, fuck this. She's not having it. She starts wandering with uneasy urgency around the tree, searching for an exit. "I think if we can get away from all - this - that would be best," she says, inspecting the narrow passage between several stacked boxes. "We can probably get through here, but... I don't know if you're ready for that." She glances over at him, trying to suss out just how functional he actually is right now.
no subject
Despite his efforts the thickness of his accent slips through, though Rush opts to ignore it. Inconsequential. With comparatively less grace than Asadi, he follows her to the small passageway and peers at it, shaking his head one final time in an inane attempt to regain an equilibrium. The increase of pain to his temples successfully warns him away from performing that small cranial maneuver again in the near future.
no subject
"All right," she says. "Then we'll just get through it as fast as possible."
She shifts into the little passage and starts easing her way out.
no subject
This is fine. It is not implausible. He will execute without limbic damage. Wordless, he follows Asadi and compresses himself into the tiny space. The press of the walls is no object. He is breathing, he is employing forward momentum, he is shuffling along and his rate of breathing is increasing incrementally and that is fine, it is still relatively workable in this solution set, he will maintain this solution set, Asadi is right in front of him and she is still moving so it is not inconceivable that he can continue moving, but for fuck's sake he's stopped why has he stopped.
His breath catches and stutters and halts. He can execute. He can continue executing.
Rush forces himself to continue moving, neglecting the pressure of adrenaline and the squeezing, inching compression of freshly surging panic. The walls are not coffins, nor are they glass containment fields. There is no water. He trembles.
no subject
When he stops, she stops as well and looks back. She's not really enjoying the tight, oppressive space either, and stopping is pretty much the last thing she wants to do, but she's not gonna keep moving when he's stuck.
He seems to be forcing himself onward, and she keeps going as well, awkward and uncomfortable. Should she say something? She should probably say something. Try to get his mind off it.
"Is there like a technique you have," she says. "Like. Math problems in your head or some shit. Something rhythmic. Like how we're moving, steadily and continuously, yeah?"
Whether or not this is helpful, she suspects she'll get sworn at again in due order, so she braces herself regardless.
no subject
No. Wait. Wrong. That's not the typical algorithm. He clenches his eyes shut and tries again.
"Fine."
And that is an inconclusive answer, he realizes, to the question Asadi did not actually ask in fully comprehensive terms. A third time, he narrows his attention on the scattering and breaking and rapid reforming of his own turbid thought texture, carefully formulates his statement.
"I am fine." The words are too well perfectly spaced, a dead indication of how thoroughly they contradict themselves in veracity. He will be fine. He simply - needs to get out. There is no water. He needs to get out and there is no water. He needs to get out.
no subject
She hesitates, reaching a particularly tight spot between boxes too heavy for her to manipulate. She really doesn't want the two of them to get stuck here. Can she maybe...
She lifts her hands and presses them against the box, frowning tightly. This isn't really what she does, but she has to do something. Can she make it smaller? Just a little smaller?
no subject
He attempts to form her name but the word rasps on his tongue. Oh fuck, no, he can't breathe. Fuck. He stares at the wrapping paper spread beneath the hands that are splayed against it for support, at the dissonant, disturbingly bright-faced teddy bears printed on it. They stare back in baleful, innocent mockery.
Again, he exerts every effort to say Asadi's name. The noise exits his throat in the form of a high-pitched, dragging sound, not even vaguely word-shaped, pathetically akin to a sob.
no subject
"I'm sorry," she says, knowing that probably means fuck-all to him. "I'm fixing it, I just need- just hang on, okay? We're gonna get out. We're gonna be okay."
no subject
They're never fucking getting out of here. They're trapped. They're trapped.
Rush's tenuous, paroxysmal terror contracts into the prolonged blink, the hush of tense breath, and
detonates.
He hurls himself at the wall with its splotches of torn paper, hammers at it with both fists, slams his fragile, shaking body into it. It doesn't matter if it's fucking solid, it feels like glass, it holds and will not give beneath his hands just like fucking glass, he can practically feel the slimy sensation of water traveling in runnels down his neck and in his clenched hands even if it's sweat it feels like water he cannot bear the water he cannot operate like this. The air is hot and tight, the wall won't fucking budge even as Rush pummels at it with his condensed, frenetic energy. Get them out. Get them the fuck out. Fuck. Fuck. Fuck. Fuck. No. No, they're trapped. Fuck. Help.
no subject
"Rush," she says desperately, wanting to grab him and resisting, that would only make things so much worse. "Rush, stop, please, it-" Shit, what does she do?! Frustrated, she slams her hands back against the box that he's currently ramming himself against, and forces her will on it, it's bad practice, it's messy, it's dangerous, but it doesn't fucking matter. She can feel the crackle of energy shooting back up through her arm, shocking her system, and it hurts like a motherfucker but she can't worry about that now. The box is going to collapse, or melt, or something, and Rush can't keep throwing himself against it. She reaches out and seizes a handful of his shirt, no other choice, maybe if it's not skin contact it'll be okay.
"Come on," she says sharply, and gives him a fierce tug.
The box is bending inward, imploding as if suddenly no longer able to sustain its weight. She hopes to god there wasn't a person in there, though at the very least it seems too big for that. She drags Rush through the widening gap, knowing at any moment it'll snap back to the way it was, but he definitely does not need that information.
She's almost moving at a dead run now, which is exhausting, horrible, her arm feels like it's burning, but she can see the end of it and they're so close--
She hears it snap back behind them, they've cleared it by now, she just hopes Rush doesn't look back.
They burst out into the open again, and she releases her hold, not caring where he ends up, because she's hitting the floor now, coming down hard on her knees, curling over and clutching her arm, hissing formless curses through her teeth.
no subject
They heave him backwards and he stumbles after in a jumble of pain and panicked instinct, there's the distant crackling, hissing fold of reality rebelling against its unanticipated warping, and then he strikes ground and rolls without warning. The unbearable pressure of his shirt squeezing itself around his neck loosens in a palliating blaze of force and area and weight and volume and the liberation of kinetic energy and he can fucking respire again. Rush breathes in a sequence of unstable shuddering wheezes, gasping, choking, gripping fistfuls of crumpled paper as some form of fucking stabilizing force. Fuck, fuck, they're on the ground. Fuck. And Asadi -
Asadi, he constructs hazily, is the one who propelled them out of their imprisonment. And she is - currently hunched on the ground, obviously in some extreme amount of pain.
Four successive attempts allow Rush to make himself relatively upright and kneeling with one hand to the side of his head and the other ground against the floor in a taut, bracing fist. Shit - fuck.
"Asadi," he wrenches out, ragged and reaching his unsteady free hand forward in an effort to snap his focus beyond the mental atonal smear following that surge of phobic release.
no subject
"Fucking shit," she mutters angrily, and lowers herself the rest of the way down, unconsciously entering a prayer pose, resting her forehead against the hardwood floor. The grains of it look huge this close. The pain is spreading up past her shoulder, a dull ache that resonates throughout her chest. Fuck, it's like being in school all over again.
"Hhrhghhhgh," she groans on a long single breath. "Are you gonna fucking be okay or what?"
no subject
Another rattling, wresting breath, then another. Scrub and re-fucking-set. He will approach this rationally, a compensatory intellectual embarkation to rectify his former lack thereof.
"We've outlined a solution set," says Rush. The words, caught between steadying pants, are a dim haze in ears that are muffled in the thick, sluggish ebb of his own lingering dread. "The output is optimistic." He will narrow the solution set. Asadi has performed admirably under poor circumstance, and now she may be suffering in a more tangible sense. Fuck. Rush breathes, his eyes remain shut, he breathes. She is suffering in a tangible sense. "What about your solution set?"
no subject
"I am fucked," she says harshly. "That was - you don't force it like that, it all ricochets back up and now the whole fucking arm is-" She breaks off with a wince as she tries to pry open a hatch to get a look at the innards. "I don't have a fucking solution set, you incomprehensible fucking prick." She lets out a breathless cry as she forces her arm open and takes a moment to breath unevenly before lifting herself up a bit and staring dismally at the smoking circuitry. "Goddammit," she murmurs. "Ugh, I'm sorry, I didn't mean - just." She puts a hand to her face, trying to calm down. She doesn't like losing her cool in front of anyone, much less a colleague.
no subject
His breathing is still irregular. This is not rational as he is out of that space and he will be fine, he will be fucking fine, he is going to proceed logically and intelligently. He will have to compose an adequate hash function to counterbalance their respective lowered rates of output. He is free from it, the crushing, compacting, breathless tightness of space meaning he can torque the circumstantial layout into something more workable if he prioritizes. He can prioritize, he will prioritize: (a) mangle his fucking lungs into fucking optimum, (b) evaluate Asadi's arm, (c) evaluate Asadi, (d) verify location, and this is as far as that chain of events can progress in the foreseeable future.
Uncooperative lungs reach a fragile stability and the arm does not look fixable given their current lack of tools or equipment so Rush will proceed to the item three.
"We should go." Fuck. That is item four. He's operating out of order. Unacceptable. "Are you - you are - all right?"
no subject
Okay. Okay. Worst case scenario: she wakes up, still damaged. She'd have to amputate the arm. And probably wouldn't get it back. Maybe the Doctor could come up with something, maybe - no, fuck Satan, she wants no favors from Satan. It wouldn't be the worst thing in the world. She spent a fair amount of time with one arm, she can do it again.
Right now is just the pain and the stress, and Rush not knowing what to do. She closes her eyes and takes a few long, steadying breaths. If she were home, she'd just call David, or Ana, but she's not home, they can't help her. She never would have done anything so stupid in the first place.
"I..." She finally sinks a little, exhausted and afraid. Her entire body is flooded with electricity and static, she can't move without excruciating pain, and she can't just sit here swearing about it. "I need help."
no subject
Not relevant, sadly.
"All right," says Rush. "Fine." Help. They can achieve that, surely. His hands are shaking, but he has a solid enough understanding of advanced technology. He has helped repair Ancient craft of unintelligible design, certainly he can - possibly - manage this. Possibly. Fuck. Uncertainties. He fucking detests uncertainties.
"I am," he begins in frowning, disordered indecision, "I have - limited experience with - do you want me to - should I - ?" Vocal expression, apparently, is not in his current capacity. Now that his physiology is asserting itself in a manner that is more or less a state of equipoise Rush has a fair amount of control over his motor coordination, hands trembling less fiercely when he lifts himself off their weight and shifts back to his knees.
no subject
"Not that. We can't do anything about that here. If I wake up with it, then... then I'll have to deal with that. Right now, I just..." She chews her lip in consternation and looks up at him. "Look, I'm sorry, I know you don't like being touched, but I... if we're going to get anywhere, I'm gonna need you to help me walk. My entire body is basically short-circuiting right now, it'll wear off, but... I don't know when. And I don't know what'll happen when it does."
Steady voice. Maintain eye contact. Slow breathing. You're fine.
no subject
"Yes." The word is clipped out sharply before Rush can track the reasoning behind its conception. Rising proves complicated in that he must exert more than the typically requisite effort to bring all his motor coordinates into planar organization, but he braces himself on two feet with only minimal failing in balance. Next. Would be. Assist. Assistance. Yes.
He reaches down, fisting one hand into the material at Asadi's good shoulder, and pulls her upright, drags her good arm over the unstable slope of his own shoulders. It is possible he is implementing an excess of speed and force in this maneuver. He endeavors to slow accordingly with limited success. Motor control is - proving difficult.
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