theoldgirl (
theoldgirl) wrote in
applesaucedream2014-03-05 06:35 pm
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built with a heart broken from the start [open to multiple]
The TARDIS is feeling her insides burst. Something has grabbed hold of her, pulling at her with a force as violent and unpredictable as a torrent, and for some reason that she can't quite remember all her shields are offline. She is vulnerable and she is being gutted. Corridors are on fire, rooms are filling with toxic fumes, fuel is running out and choking and burning her like blood-filled lungs. As she writhes in agony, the flow of time and her dimensions twist with her, and suddenly there are creatures in her that don't belong, pained, furious things, but she has no thought to waste on them. They roam her halls unchecked, skulking in the dark and the debris and the unsteady flashes of emergency lighting, taking their clue from the destruction they were born into.
Her only thought now is to keep the Doctor safe. So she struggles to control her panic and the chaos, to hold herself together, to hold onto... something, yes, there's something she mustn't let go of, but her memory is failing her again and everything hurts. The Doctor is back now, she pushed him away but he came back to her, of course he wouldn't let her die alone. He brought someone with him and she hates them immediately, smells the greed in their minds, like scavengers eager to tear apart their prey while she's still alive. She wants them out, but the Doctor isn't listening to her and maybe that's why she pushed him away, because he can't bear to listen to her cries and she didn't want him to hear. He's talking about the girl instead, another thing she can't quite remember, though hardly surprising; there's always a girl. A hot flash of bitterness is cut short by a hotter explosion as the last fuel cell tears up her interior, and her tenuous control wavers.
She knows she's clinging to something so important, but it feels like pressing down on glass splinters, piercing and ripping her hold. She's screaming, and her screams turn into the reverberating voice of a heavy grim bell, tolling doom throughout her structures and into the void.
Her only thought now is to keep the Doctor safe. So she struggles to control her panic and the chaos, to hold herself together, to hold onto... something, yes, there's something she mustn't let go of, but her memory is failing her again and everything hurts. The Doctor is back now, she pushed him away but he came back to her, of course he wouldn't let her die alone. He brought someone with him and she hates them immediately, smells the greed in their minds, like scavengers eager to tear apart their prey while she's still alive. She wants them out, but the Doctor isn't listening to her and maybe that's why she pushed him away, because he can't bear to listen to her cries and she didn't want him to hear. He's talking about the girl instead, another thing she can't quite remember, though hardly surprising; there's always a girl. A hot flash of bitterness is cut short by a hotter explosion as the last fuel cell tears up her interior, and her tenuous control wavers.
She knows she's clinging to something so important, but it feels like pressing down on glass splinters, piercing and ripping her hold. She's screaming, and her screams turn into the reverberating voice of a heavy grim bell, tolling doom throughout her structures and into the void.
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He's not.
Johnny is lying on his back in a room that feels wrong in every conceivable way. He doesn't know how he knows this, but he is very certain. That's been happening a lot lately, too.
He picks himself up. The room presses in around him, shuddering, unhappy. It exudes unhappiness, frantic, dissembling fear, hysteria and madness. This is not a stable enclosure.
There's also a tree in the middle of it. Not a real tree, but one comprised of wires and metal, with spherical lamps hanging like houses from its branches. It's beautiful. It's terrifying.
"Yggdrasil," he whispers, barely conscious as he does it. The connection is rooted complexly in his head, something he would be hard pressed to explain if anyone had heard him. A lot of his thoughts are instinctual right now; he's not comprehending, not thinking, just reacting. The tree is wrong, and the structure is alive, and its dimensions are inconsistent. It's the tree, no, the house, the house at 1 Ash Tree Lane -- or it's not, but it's so much like that. He doesn't know why this doesn't frighten him more. But there are other things to be frightened of at the moment.
He staggers back, and one of them touches him with a mottled, grasping hand.
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It's a boy, staring at the Architectural Reconfiguration System. She can't tell how he got inside, nor does she know him, doesn't even feel like she should. And she doesn't care, because he's disturbing one of the most vital rooms she has, one of a precious few untouched by the destruction, and she wants him out. The tree shivers angrily, a metal rustling high in the ceiling, the lights of the reconfiguration circuits swaying almost imperceptibly. They are the seeds with which she creates reality and they will be protected.
The door shifts to his back and opens, and then one of the awful creatures takes care of the rest. This one is tall, burnt to a crisp like the others, but with one hand painfully fused to its face and the only sentient thought left in its irradiated brain that of defending the ship. It pulls the boy out of the room and hurls him against the wall of a dimly lit corridor, stopping to growl at him as it prepares to lunge for his throat.
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Johnny releases a strangled cry and thrashes wildly, managing just barely to dislodge the creature, shoving it down into the dark shadows of the corridor before propelling himself unsteadily in the opposite direction. He can hear it following him, scraping against the floor, and he might be a little faster, but he doesn't know where he's going.
The world vibrates, and he is hit by a deafening roar, a hum and a snarl are an impossibly deep rumble all curled into one awful sound. He stumbles and catches his head, covering his ears. He passes trippingly around the corner to find himself in a massive library.
He stops, startled by the unexpected shift in venue, and struggles to catch his breath. He doesn't know if the creature is still behind him, and he's afraid to look back.
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Somewhere close by, dimensional stabilizers for the area malfunction and the library tilts, sending books and shelves and furniture tumbling chaotically. A heavy chair is thrown against one of the wall-mounted shelves and dislodges it curiously, pushes it in - a secret tunnel, though it looks more like a blood vessel, organic and diffusely lit. The creature is knocked off Johnny's back by the shifting gravity but otherwise hardly deterred, wailing and scrambling for purchase to reach him again.
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Then everything tilts, and it loses its hold and goes careening down the inclined floor. Johnny barely manages to grab onto a pillar, curling up as books and furnishings tumble around him. He hears the violent creak of as the shelf moves aside, opening up the aortic pathway. Johnny stares up at the new exit, lit red and pulsing, and he doesn't want to, he really doesn't want to, but this library is not safe and he has to keep moving.
He scrambles to his feet, motivated largely by the continued wailing and gnashing coming from the creature as it struggles to get back up toward him, and launches himself up the steep floor toward the opening.
He doesn't know where this leads, but it's better than the library, maybe.
Now that he has a moment to catch his breath, he doesn't feel any better. He still doesn't know where he is, but he knows it's not safe, and he knows it's familiar. The creature that wants to tear him apart, the architecture that doesn't obey physics... He wants to get out. Has to get out.
Where the hell does this tunnel lead?
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The passage ends among a few boulders in a wide open space, a picturesque hillside covered with lush grass and flowers. Some distance away there's a group of trees shading a porch swing. The usually clear blue sky is in turmoil; massive black clouds are driven across it at great speed by a vicious storm and the sweltering air is pierced by cracks of thunder, though there is no lightning or rain. The porch swing creaks loudly as the harsh wind tears at the trees and the grass. And every available surface is covered in butterflies of all shapes, sizes and colors, struggling for their lives, losing to the increasingly strong gusts of wind.
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She is surrounded by shelves and shelves of books, and it should be a comfort (how bad could a bunch of books be?), but it's not. A half-remembered labyrinth comes to mind, and she turns her head sharply, looking for… what? A coldfang? The Master? Something awful, something stalking her from another row...
No. That can't be right. She knows this library; she's been here before. It's the TARDIS. The TARDIS wouldn't hurt her. But the friendly little minds of the bats are gone, and the air is heavy, sweltering, and she coughs as she makes her way over to the balcony.
"TARDIS?" she calls as she peers down over the railing. "Doctor?"
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That, however, is easier thought than done. A corner of the library is in flames, the hearth exploded and set fire to the bench in front of it, and from there it spread to the unique and flammable collection, eating away at the pillars that support the upper levels. And then the doors open and a terrified, scrawny boy runs in, pauses to catch his breath, and is attacked by a grotesquely burnt figure. As they struggle, the image suddenly flickers out of existence, then repeats itself. It's a temporal mirage, a past or future echo that doesn't even belong to this particular library, but time and space are as unstable as the ship herself, bending all wrong like broken bones.
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There: a staircase along the back wall. Daine hurries down, lurching into the banister as the floor shudders beneath her. "How can I help?" she calls as she propels herself between the stacks toward the exploded hearth. "TARDIS--"
A young man - a familiar young man - comes staggering into the room, passing a few feet in front of her without seeming to see her. Is that--? But what follows him is a form so terrifying that Daine's arms jerk instinctively, an aborted grasp for a bow she no longer carries. She jerks back against a bookshelf even as the figures flicker and vanish. "What…" she says quietly as the figures reappear again, and then again. "What's happening?"
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The cavernous room groans and then a second door appears on the other side, though it's partially obscured by collapsing shelves and it's not enough; the girl is too distracted by the temporal anomaly. Resolving to do whatever she can for her, the TARDIS expends the effort to project a hologram of her human form by the exit, flickering and pale and waving frantically to her. "This way! Hurry!"
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"What's wrong?" she asks instead, brow furrowed, wincing as something crashes behind her.
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"I will take you to the console room. That is the most stable place left. And perhaps you can escape." She's having trouble discerning why the doors to the outside are locked, if it was the Doctor or safety protocols or her own pain clamping them shut, but she'll do what she can to get everyone out. If they make it to the console room in the first place.
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Safe, he decides, for the moment. Heart still thudding in his chest, he reaches down to pick up his scorched jacket before stepping further into the room. This is no good; he can't do anything from here -- but maybe she can give him another door to where he does need to go. "What's happened?" he asks aloud, reaching out to stroke a wall. "Let me help -- I can help, but I need you to give me a way."
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When he emerges into the chaos of an unfamiliar console room, he looks around, frantic. "TARDIS!" He reaches out with his mind when he doesn't see her human image immediately, and attempts to calm her. This doesn't feel like just a dream, but he can't yet put his finger on why.
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"TARDIS voice-visual interface," he intones but suddenly she knows, she knows, her mind twitching forward, eager for the contact for just a moment before she not only knows but also remembers, and then she shoves him away angrily. The image dissolves into one that fits this encounter much better, blue dress and brown curls and pale as a ghost. Betrayal taints the toxic air and her features. "Gabriel? Did you do this to me?"
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"What?" He feels her accusation like a physical blow. Whatever he'd done that she disapproves of, he could never set out to do anything that would harm her. "No. Do you really-" He cuts himself off before he can ask 'Do you really think I'd want to hurt you?' Now isn't the time for that particular conversation. "No. Of course not. I felt you in the Dreaming. Do you know what happened?"
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Then it dawns on her why he feels so far away and she is weighed down by sadness, regarding him with an incongruously melancholy look while she's burning around them. "Of course it wasn't you. You aren't really here, are you." It's not a question; he can't be, so he isn't. But she knows what's happening now. "I am bleeding."
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Finding nothing, he turns back to face her. "I'm here. That's true." What had she meant when she said she doesn't dream? She's dreaming now. It takes him a moment, but then he remembers what she'd called it before. "We're in the telepathic current now. I call it the Dreaming. This isn't real, but we are." Still, there's something else here that's not the Dreaming. She wouldn't be like this if there weren't. "I'm here."
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"Not cleaning this up," he announces to the walls, dabbing at the stain. He will. It's just nice to complain sometimes.
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It takes an effort of will but then she's in the kitchen with him, looking ill and ashen like the day she arrived on his doorstep. "Ianto?," she says to get his attention, and for some reason she is feeling profoundly sad. "You can't be here."
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"Is - has something... happened?" he asks carefully.
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