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applesaucemod) wrote in
applesaucedream2013-11-01 06:30 pm
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The Tomato in the Mirror

Spring is in the air, and monsters are in your head. It will be hard to run from your fears tonight, though -- for you see, you are the thing lurking in your nightmares. Whether it's something that goes bump in the night, a ferocious animal, or even a person you find intimidating, you have become that which frightens you. Anyone who encounters you in this dreamscape will see the shape of you nightmares, and should you look into a mirror, well....
Dreamers will find themselves in an oversized funhouse whose twists, turns, and intersections turn it into a maze. There is no entrance and there is no exit, only branching hallways, tunnels, and ladders that divide and rejoin in baffling combinations. By the look of it, the funhouse has been here for years, slowly falling into decay as its lights burn out one by one and the bright paint chips and fades. The machinery, however, is still working, still ready to surprise these new guests. Hallways end suddenly in long, steep slides back down into the depths, floors lurch under dreamers' feet, and entire corridors spin horizontally. Elsewhere, dreamers might become lost in the mirror maze or get dropped into a vast ball pit.
[Mod note: Usual dream party rules are a go: apply the dream's transformation to your character(s) as you see fit, and decide for yourself whether they will remember these experiences in the morning. Both members and non-members are welcome to play all characters on this post, including those which are not currently part of the game's cast. Have at!]
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"Where?" she asks, eyes darting around the space as she clings to the netting near the ceiling. "I don't see anything."
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soff the creature for more than a second or two, he tries to locate Daine. "Where are you??"no subject
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She sniffs, then looks back down at Andrew. "What about you?" she asks, leaning forward a little. When she leans forward, she can't see the rest of herself. "How'd you get in that thing?"
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There's another lengthy pause as Andrew finds himself reluctant to face what he's suspected for a minute or two now. "Tell me," he says at last. "What do I look like? What am I in?"
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She sniffs again. "You're mostly buried, but you're in some sort of machine. Looks a little like a turtle from up here." And turtle shape, there's one she's only tried a couple of times and will never get to try again. Stop thinking about it. She focuses back on Andrew's prison, looking for other helpful details that aren't hidden beneath plastic. "There are two little lights on top that flash whenever you say something," she offers. "And another blue light at the end of a stick, but that one glows all the time."
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Yes, a Dalek. He'd suspected from the moment he first had enough of his wits about him to piece together the hints provided by his altered voice and tendency to roll rather than walk, but Daine's description clinches it. Taking a deep breath -- which he doesn't need, to his dismay -- he tries to draw his consciousness inward. From the start, he's acted and reacted like the shell is his body, which implies that it's connected to his brain like it would be for a true Dalek, but maybe, just maybe, he can pull his focus back to his own body within the machine, and he'll find himself hunched over, back no doubt aching and perfectly humanoid body all sweaty from the experience.
He finds nothing of the sort. Within the casing, the Dalek's single eye blinks open and stares about at the glowing secondary controls. He reaches up to touch a blinking button, and recoils in disgust as a slimy tentacle enters his field of vision. "No," he whispers in horror. "No, that can't -- I can't be!"
But he can. There are ways, he knows, and he's not the first to face this fate.
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She stops once she reaches the balls, torn between wanting to go to Andrew and not wanting to get swamped. "Can I help? Maybe I could get you out." She's yet to use her limbs for anything more than climbing, but she knows they're strong.
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Then it occurs to him that she might mean out of the casing, and he gives a violent jerk of the eye stalk. "No!" Forcing himself to calm down, he repeats less forcefully but no less firmly, "No. I don't -- I'm not -- I'm not myself in here. Not anymore. I'm...a Dalek." Disgust fills his voice when he speaks the word, the mechanical filter unable to disguise it.
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"I don't know," he admits. "I was like this when I...woke up? That doesn't seem right."
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"It's all just... mad," she says, frustrated. "I know better than to take an immortal shape, and even if I didn't, I wouldn't pick this. And how can you not be you anymore?" Shapeshifting has never been one of Andrew's abilities.
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He draws in another breath, and the eyestalk droops and dims slightly as he shuts his eye inside the casing. "I'm inside, but my body is...it's...."
The sentence tapers off, unfinished. It's not something he really wants to analyze.
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But, like Andrew, she seems to have retained her personality. Granted, she's only seen one other person turn themselves into an immortal, and Ozorne wasn't a very nice man to begin with. There wasn't much goodness to sour when he became a stormwing, so she doesn't know if it's normal or not to still be yourself if you become one of the more unpleasant immortals.
"I don't know if changing into one should've changed me or not," she admits, "but I still feel like myself. Except for all the legs." She can't help making a little noise of disgust at that.
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She considers his question, then slowly shakes her head. "One of the gods could probably do it, back home, but none of them are here. I changed a bit by accident when I was first learning, but I have to think like whatever creature I'm trying to change into, and I don't know how spidrens think." More accurately: she doesn't want to know how spidrens think.
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It's second nature for her to use her magic to orient herself when she's lost, and she does it without thinking: canting her head to one side, she listens for any nearby People. It isn't until after she's found the familiar minds of Sarge and Molly that it occurs to her that she shouldn't be able to do any such thing.
"Wait," she says, tensing. "My magic - it's still there." She lifts her head to look at the blue light that seems to be serving for Andrew's eyes. "I should've lost it all, but I didn't. I can hear the dogs!"
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"Where are they?" he asks. "Close by?" Not that finding the dogs will likely help them in their predicament, but it hardly seems right to leave them wandering in the darkness.
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They are, in fact, very close by, from the feel of it. "Yes - they're practically on top of us." She glances up at the ceiling, then crawls over to the foot of the slide that leads into the ball pit. "Sarge?" she shouts, her voice tinny in the metal tube. "Molly!"
There's no response, and she frowns. They must have heard that; they're too close to have missed it. "I don't--" 'understand' was where she'd been planning on going with that, but then suddenly, she thinks she does. "Oh. Oh!" She turns back to Andrew, eyes wide. "Are we dreaming?"
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'Here' being the ball pit, not the shell. Andrew has been thinking about Daleks and their abilities, and now he tries to imagine what circuit must command the shell to turn on its thrusters and levitate. The balls are dimly lit from below by his efforts (some will no doubt melt), and he slowly starts to rise...only to lose his balance and pitch over sideways just before clearing the surface. He lays there on his side on top of the balls, waving his gun in useless reflex.
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She shuts her eyes, listening for the dogs again. This time, instead of shouting aloud, she tries a more concentrated, Sarge! Molly!
... Daine? comes a distinctly sleepy response.
I'm still a two-legger, right? she asks, her tone urgent.
Yes, Molly replies, sounding puzzled.
Daine sags a little, immensely relieved. If either of you notice me starting to change, bite me, she orders them.
Bite you? Sarge repeats, sounding distressed by the thought.
Whatever you have to do to wake me up, okay? It's important.
The dogs agree, albeit reluctantly. It'll have to do. Daine raises her head, grinning. "We're dreaming," she informs Andrew. "We're definitely dreaming."
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"I thought they would have fixed this issue by now," he muses to himself. He perks up at Daine's exclamation, waving his rod-like 'arms' and firing the thrusters again despite knowing that neither will do him any good. "How do you know?" he asks, hopeful but wary.
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With that issue out of the way, she can focus on getting Andrew out of the awkward position he's currently in. She can imagine a few ways of righting him, but hurriedly dismisses any that involve producing web. She isn't entirely sure how, and more to the point, she has absolutely no desire to try. Instead, she resolutely plunges into the ball pit and flounders over to where Andrew is lying. Positioning herself opposite the thrusters, she uses her forelegs to grip the casing near his armored head. The rest of her numerous limbs are planted against the slightly springy floor at the bottom of the pit, and she commences pushing.
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