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applesaucemod) wrote in
applesaucedream2014-07-05 01:52 pm
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Entry tags:
- character: daine sarrasri,
- character: gabriel,
- character: johnny truant,
- character: rashad durant,
- character: sunshine,
- dropped: aglet bottlerack,
- dropped: aiden,
- dropped: andrew noble,
- dropped: cecil palmer,
- dropped: croach the tracker,
- dropped: dana cardinal,
- dropped: edgar sawtelle,
- dropped: gus fring,
- dropped: ianto jones,
- dropped: jennifer strange,
- dropped: jodie holmes,
- dropped: lucy saxon,
- dropped: seth,
- dropped: the doctor (8),
- dropped: the tardis,
- dropped: zagreus,
- party post,
- retired: aziraphale,
- retired: bee,
- retired: peter vincent
The Shavings Off Your Mind are the Only Rent [Open to All]

Picture a house. Actually, picture two houses. They're (almost) identical structures that share an uneasy coexistence, tangled together on a quantum level. One of the houses is Good: bright, cheerful, full of comfortable furniture and a pervasive feeling of safety. The other house is Evil: dingy, dilapidated, and haunted by the dreamers' greatest fears.
The good news - and bad news - is that travel from one house to the other is as simple as passing through a door. All a dreamer has to do is walk through a doorway, any doorway, and they'll find themselves in whichever house they weren't in before they crossed the threshold. Perhaps they'll step out of a beautiful library and find themselves in a threatening hallway - or perhaps they'll flee a menacing kitchen and find themselves in a perfectly safe dining room. That is the nature of the houses' entanglement: every door is a portal between the two.
There are, of course, complications. Dreamers in one house can't perceive the other; if you're in the Good house and looking through a doorway, the space beyond will look as nice and inviting as the space you're in now (until you step through that doorway, of course). Dreamers also can't really perceive one another if they're in the same room, but in different houses, though they might see a flash of movement out of the corner of their eye, or think they heard something.
Perhaps the greatest complications are the houses themselves. They have rather strong personalities, and they aren't very fond of one another. Each house will want to keep you if it can (keep you safe, in the case of the Good house, or keep you for itself, in the case of the Evil one). Dreamers may attempt to cross a hall and find the door that looked open and inviting a moment ago is now barred shut, leaving them trapped in the hall - or have doors suddenly close in their faces before they can end up anywhere unpleasant. Still, there's only so much either house can do, and even a locked door can be jimmied open or busted down.
Escape from the houses is possible, but the formal gardens beyond are similarly entangled, with neatly trimmed lawns and expertly plotted flower beds becoming overgrown tangles of nettles and algae-choked reflecting pools. An archway is as good as a door, as far as the gardens are concerned, and there are plenty of arbors and arches over the paths. Of course, dreamers may find that a sound arbor in the Good garden has collapsed in the Evil one… and heaven help anyone who dares to explore the hedge maze.
[ooc: y'all know the drill. ALL characters are welcome, regardless of whether they're in the game. Characters can remember or forget the events of the dream at the players' discretion.
Also, this dream party marks the aforementioned calendar freeze. For the next three weeks, the IG date will sit on July 3rd. Posts dated July 3rd or earlier are allowed and encouraged. The calendar will resume forward motion at a 4:1 ratio on Saturday, July 26th.]
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"This would go faster if you burnt it," he points out. "Could imagine it away, but... more fun to burn it."
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"I'm not very good at imagining," he murmurs. "Or making it stick, anyway. In my experience." He looks around at the mess, considering. Part of him - a very frustrating part - wonders if he'll be able to burn it now, when he was never able to before. Doubtful, really. Even after everything, it still has such an intense hold on him. Even destroying it, he wants to touch the pages, remind himself that they're there, or something. Burning it would almost be too easy.
"I don't know," he says ruefully - he does know, he just feels like a chickenshit. "Something tells me the house might not like it."
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"I - What??" This random guy can just wake him up? "Wait, no. I don't know if... if I want to."
Ugh. Admitted it out loud. Now he feels pathetic on top of everything else. Meanwhile he eyes the gun nervously. Where did that come from? He's not holding it threateningly, but its sudden appearance is a little alarming. He imagined it into existence, is that it? Not terribly comforting.
"Look, it's - all this, it's not just words, it's-"
He stops himself, barely, before he says me.
Fuck.
Was he really going to say that? And mean it?
He looks down, at a page beneath his shoe, that just carries two long columns of brackets, and nothing else.
"Burn it," he says abruptly. "I don't care. Burn it all."
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"I don't know," he says after a moment, feeling a resurgence of the same frail insecurity he always gets when asked things like that. "I... I don't know."
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"Okay," he says, and quieter, "Okay."
He flicks it on - hesitates - does he have a cigarette? He could really use one right about now. He checks his back pocket and there they are. Huh. Maybe he's better at imagining things than he thought.
He lights up, takes a drag, then crouches down to set the nest of pages aflame. Just like Will, he thinks, burning pages to keep himself alive. Perfect.
The room goes up pretty quick, of course, and he backs up toward the door Ianto came through, smoking and watching it burn.
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"We've a plan B," he points out helpfully.
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"Have we?" says Johnny uncertainly, peering at him, wondering if his calm is a good sign or a really bad sign. He grips the cigarette between his fingers and takes another nervous pull, glancing around as the fire spreads, moving gradually toward them. "Care to share with the class?"
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That's what the fucking gun was for. And that's how Ianto proposes to wake him up, not in some gentle mind-prodding way like the TARDIS might. Johnny feels immensely stupid for not figuring it out earlier, and for allowing this to happen, like what did you think, idiot, the house would just let you do this, and that this random weirdo would just be able to fix it?
"Fuck you!" says Johnny shrilly, more out of surprise than anything. "I'm not into ANY kind of death!" He tosses the cigarette aggressively into the flames and shoulders his weight into the door, which of course refuses to give. Wait, this is stupid. He presses his palm against it and concentrates on making it open, giving himself a passage out.
Nothing happens. There's no time to wonder about it. He pounds his fist against the stubborn door with a strained, frustrated yell.
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He shoulders Johnny aside and grasps the doorknob, twisting and pulling. It teases, pulling out a fraction of centimeter before pulling it flush again in a decidedly sinister tug of war. "You've just got to think lovely thoughts, Johnny," he confides, strain in his voice. He braces one foot against the door frame. "Y'know, picnics. Summer." The door gives again, a little more, and he wedges the toe of his shoe into the crack, then his fingers and hand, shifting to push it open from the other direction until he has it braced open with one leg and both arms.
"Come on then," he grits through his teeth, nodding to the segmented open space between his legs that leads to what will eventually be an inviting and not-on-fire room.
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But, hey look at that, he got the door open. Sort of. Wedging himself in the space, presumably while it tries to snap shut on him, is not something Johnny would ever want to attempt, and he probably isn't strong enough to do it anyway. So hell, points for that, he supposes. He doesn't waste any time dropping down and crawling between the man's knees, hurling himself through and into a new room, which - oh. This one's quite nice. Nothing like the last one.
He sits on the floor and stares around himself, momentarily lost in the sheer surprise. He can't smell smoke or sense any indication of fire beyond what's showing through the half-open door. This room is like a different universe. A master bedroom, from the look of it, a massive four poster bed with a canopy and several options of doors - at a guess, it would be closet, bathroom, actual exit, and... where'd they just come from? Study, perhaps? That makes an amount of sense.
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He brushes at his sleeves - he's smoking, just a little - and sees that corner of his jacket is wedged into the door. Great. He shucks it reluctantly, watching it dangle distinctly un-neatly. It's just a dream. He wasn't attached to that dream jacket. It's fine. He can imagine another one. A better one. Yeah.
"This is," he comments intelligently, at a loss to describe the bedroom they've ended up in. It's so... "Normal."
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"I'll take normal, though." He pulls himself up, brushing ash off his clothes. "Better than that."
Well, now what? Nothing to occupy his attention here and he's not sure he wants to address how Ianto almost got him killed and then offered to actively kill him to fix it. It all makes a twisted sort of sense, if he thinks about it hard enough, but that doesn't make him feel any better about it.
He sits himself down on the edge of the bed, taking a moment to breathe. The cigarettes he'd manifested - his only successful dream manifestation so far, how pathetic - are still in his back pocket. He pulls another out and taps it distractedly against his hand. He lights it, then hands Ianto back the lighter. "Do you mind?" he asks, intentionally too late.
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He takes the lighter and performs a bit of sleight of hand, or pretends to, willing it back into nonexistence. Or back into the fabric of the Dreaming? He's not sure. If he tried to will too many things into existence, would the Dreaming encounter a fatal error and crash? An experiment for another day. "Do you care?" he counters, rhetorically.
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"Sure," he says. He takes a final drag and licks his fingers, pinching it to put it out. He slips it back into the carton, and that back into his pocket, then gives Ianto a smartassy little shrug. "That better?"
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Is the fire burnt out yet? It's probably still going. There's something familiar and stifling about this room. He could take his pick of the other doors, he supposes. "It's a dream, not the same anyway."
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"How long ago did you come through?" he asks, because it's a requisite question, isn't it? He'd seemed a little confused on that general topic earlier, maybe now's a better moment to ask questions. Or it might not be. Ianto seems a little uneasy here.
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"I'm pretty new," he says. "Couple months."
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He glances up at Ianto, assessing. He likes him better now that they're just talking, not doing anything stupid and stressful. "So... have you been through the house at all, before you found me? What's the deal here?"
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He waves a hand, dismissing both or either possibilities. Either's possible and it doesn't matter which it is. He uses the pause to suck on the cig again. "It displaces you from one to the other when you cross a threshold. There's some sort of psychic field as well, one for each house, or just one that's gotten ornery over time." He lowers the cigarette again, frowning. "May was really a couple of months ago?"
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