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applesaucedream2014-07-05 01:52 pm
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Entry tags:
- character: daine sarrasri,
- character: gabriel,
- character: johnny truant,
- character: rashad durant,
- character: sunshine,
- dropped: aglet bottlerack,
- dropped: aiden,
- dropped: andrew noble,
- dropped: cecil palmer,
- dropped: croach the tracker,
- dropped: dana cardinal,
- dropped: edgar sawtelle,
- dropped: gus fring,
- dropped: ianto jones,
- dropped: jennifer strange,
- dropped: jodie holmes,
- dropped: lucy saxon,
- dropped: seth,
- dropped: the doctor (8),
- dropped: the tardis,
- dropped: zagreus,
- party post,
- retired: aziraphale,
- retired: bee,
- retired: peter vincent
The Shavings Off Your Mind are the Only Rent [Open to All]

Picture a house. Actually, picture two houses. They're (almost) identical structures that share an uneasy coexistence, tangled together on a quantum level. One of the houses is Good: bright, cheerful, full of comfortable furniture and a pervasive feeling of safety. The other house is Evil: dingy, dilapidated, and haunted by the dreamers' greatest fears.
The good news - and bad news - is that travel from one house to the other is as simple as passing through a door. All a dreamer has to do is walk through a doorway, any doorway, and they'll find themselves in whichever house they weren't in before they crossed the threshold. Perhaps they'll step out of a beautiful library and find themselves in a threatening hallway - or perhaps they'll flee a menacing kitchen and find themselves in a perfectly safe dining room. That is the nature of the houses' entanglement: every door is a portal between the two.
There are, of course, complications. Dreamers in one house can't perceive the other; if you're in the Good house and looking through a doorway, the space beyond will look as nice and inviting as the space you're in now (until you step through that doorway, of course). Dreamers also can't really perceive one another if they're in the same room, but in different houses, though they might see a flash of movement out of the corner of their eye, or think they heard something.
Perhaps the greatest complications are the houses themselves. They have rather strong personalities, and they aren't very fond of one another. Each house will want to keep you if it can (keep you safe, in the case of the Good house, or keep you for itself, in the case of the Evil one). Dreamers may attempt to cross a hall and find the door that looked open and inviting a moment ago is now barred shut, leaving them trapped in the hall - or have doors suddenly close in their faces before they can end up anywhere unpleasant. Still, there's only so much either house can do, and even a locked door can be jimmied open or busted down.
Escape from the houses is possible, but the formal gardens beyond are similarly entangled, with neatly trimmed lawns and expertly plotted flower beds becoming overgrown tangles of nettles and algae-choked reflecting pools. An archway is as good as a door, as far as the gardens are concerned, and there are plenty of arbors and arches over the paths. Of course, dreamers may find that a sound arbor in the Good garden has collapsed in the Evil one… and heaven help anyone who dares to explore the hedge maze.
[ooc: y'all know the drill. ALL characters are welcome, regardless of whether they're in the game. Characters can remember or forget the events of the dream at the players' discretion.
Also, this dream party marks the aforementioned calendar freeze. For the next three weeks, the IG date will sit on July 3rd. Posts dated July 3rd or earlier are allowed and encouraged. The calendar will resume forward motion at a 4:1 ratio on Saturday, July 26th.]
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"Oh, god," he whispers, the words slipping carelessly out, regretting it immediately, that he's given that, that acknowledgment, that - concession. But it hardly matters. Niall's got him taken well apart by now. Knows what he craves, and that he craves it enough that now what he wants is to press forward, not pull away; or if he wants to fight back, he wants to be overcome.
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Unthank can see it in Johnny's eyes, the too-late realisation of a man who's just signed a contract and not read the fine print, and there is something uniquely piquant about that. It's all well and good to force a man into something against his will, but to lead him there, to make him want his own undoing until the moment he's left scattered and ruined, that is a most particular pleasure. Of course, Johnny Truant is already more than half scattered and ruined, but even so. It's the little moments.
He keeps firm his grip on Johnny's nipple, slowly, slowly increasing the pressure, digging in with his thumbnail through the thin fabric of Johnny's t-shirt. A sharp pain, he knows, but the persistence of it will eventually make it seem not a focussed sensation, not limited to the flesh between his fingers but felt in a hot, numb throb all around it.
Craning down to put his mouth right next to Johnny's ear, he gives a little tug to his nipple to draw him closer. 'Now,' he murmurs, 'why don't you tell me about that fascinating thing I rescued you from?'
He punctuates his request, very deliberately, with a single soft, bristly kiss under Johnny's ear, wet with tongue and suction. Like he's sampling him to see if the taste is to his fancy.
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"Ah-" he groans, startled by the sting of facial hair. "It - I-"
It's not fair. How does Niall expect him to talk in this state? He rolls his hips forward, a little dare, testing the waters. How much will he be allowed? How badly does this man want his answer, and what will he do to get it?
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He soon draws back, though, as Johnny bucks up against him, managing no more than a few stuttered syllables in answer. There's no violence about the motion, but with smooth suddenness, a moment later he's got Johnny pinned up against the wall with his hips, one thigh shoved roughly between Johnny's. His eyes on him are cold, but his voice stays mild as ever.
'Tch, impatient. I asked a question, boy, and, ah, heh. You did see what sorts of things I can do when I've a mind.'
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"It's part of the house," he says, syllables falling between faltering breaths. "The monstrosity of it. The monster. The part of it that wants to devour. That's all I know, and it's just a guess."
He looks up, meeting Niall's eyes, at once fearful and defiant, always a contradiction with him. He can't speak, still breathing so raw and uneven as he rocks up and down, nice and slow; but it doesn't matter, he suspects. He's breaking the rules enough without unnecessary chatter.
no subject
'Tell me,' Doctor Unthank whispers, the sound hanging in the air, catching and clinging like so much cobweb, 'do you ever dream of that? Of being devoured?' He presses further against Johnny's hips, pinning him against the wall with his sheer height and bulk. 'Of being... swamped, pressed down upon and consumed. There's something visceral about it, isn't there?' His eyes flash briefly wide, sharp with appreciation. 'Nothing so... cerebral, metaphysical as an, mm, an unmaking, not simply the ceasing of existence of death, but to be smothered by the warm dark...'
He exhales a shivery little breath, and lifts a long finger to trail over Johnny's lips, parted and damp with his own unsteady breath. It catches against the skin.
'Do you ever wake up ~hard?' He drives forward and up with his thigh to punctuate the word hard, his own lips parted and eyes on Johnny in fascination.
no subject
"I," he breathes, stuttering again, all too easily. He does, of course he does, he dreams about it obsessively, sometimes in terror, sometimes in this messed up cocktail that he's feeling now. And yes, he wakes up hard, he always does, who doesn't, but even after those dreams, even then, especially then.
"Yes," he gasps, finally, looking up, pleading, begging, who knows what for. "Yes."
no subject
The way Johnny's mouth drops open is very nearly instinct, the pink point of his tongue reaching, but not quite touching, as if he's not sure he dares. Or as if he's not sure he'll be allowed. Sweet.
Unthank takes the invitation, letting two fingers slide soft and slow into Johnny's mouth, slick with saliva over his tongue. And once there, he can't resist pressing down against it, driving Johnny's tongue into the floor of his mouth hard enough that it will feel like choking, before drawing back again, stroking an exploratory fingertip over the inside of the bottom lip, tracing the uneven townhouse row of his teeth. His fingers shine with spit when he drags them sloppily out, leaving trails down from the side of Johnny's mouth, to his jaw, his neck. Down again to his collarbone where Unthank lets his hand curl, spread across the expanse of his throat as it had earlier. The touch is curiously almost one of comfort, a supportive hand that promises, rather than threatens, I could.
He grinds his hips in a slow, luxuriant circle, taking a little pleasure himself, and against his stomach, Johnny will be able to feel that Unthank, too, is hard.
'Then,' he murmurs, sounding as if he's tasted each word before letting it through his teeth, 'I have something for you, Johnny.' Leaning down, he rumbles into Johnny's ear, 'Give me your hands.'
no subject
The urge to move his hands comes before the order, to pull them away from their place against the wall, maybe to settle at Niall's hips and pull himself closer - but that won't be allowed, he knows that. When asked he almost finds it difficult to pull them away, but he manages, pressing his shoulder blades harder into the wall to take over the pressure, his hands moving outward, wrists extended and palms up, like a supplicant.
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Johnny's wrists are slender, delicate, scarred; burns, he thinks, old ones. Doctor Unthank's fingers easily encircle them with room to spare, and he strokes his thumb over the pulsepoint for the space of a few heartbeats before drawing them up, one on either side of Johnny's head like a man raising his hands for a gunman. His own hands keep them there, grip gently insistent.
Unthank draws a long, slow breath, filling his lungs, and then speaks.
'Sēcaþ mec, sceadan, nihtbundren; bēoð tō mec cnapan. Bindaþ þās mago; gebindaþ his folmen ac scancan, ac beoð slīðe, forþon geearniast hit.'
He's not looking at Johnny as he speaks; his gaze rather is unfocussed, as if he's addressing something, or someone, behind him or above him. And though his voice never strays above its accustomed gravelled murmur, by the end of the invocation it seems to reverberate around the room; off the friendly beamed ceiling and papered walls.
The shadows cast by the firelight seem, for a beat, to flicker.
And then, under Unthank's hands, new shadows grow. Whether they're bleeding out from his hands or the walls is impossible to tell, but every moment they're more substantial, suffusing out like ink into water. Diffuse and soft-edged, they curl around Johnny's wrists, and at his feet is a pool of the shadow-stuff like the thickest of marsh-fogs, tracking up his legs, clinging all the way up to his thighs. The shadows hold him fast to the wall; Johnny is quite, quite pinned. And of course, the shadow-stuff casts no shadows itself, so Johnny's face and bared neck seem near luminescent, pale amid fathomless black.
Unthank's shoulders slump for a moment, and then he lets go of Johnny's wrists, pulling his hands out of the unnatural shadow that binds them to step back and assess his handiwork. He smiles.
no subject
Then he feels it, coiling around his wrists and his legs, ethereal and strange, like - ink, like smoke. It shouldn't be able to hold him fast but it does, warm (as promised) and tight, pulling him flush against the wall. His own well-beaten survival instinct claws its way up on a flood of bile and adrenaline, and he gives way to panicked struggling, unable to move apart from feeble little jerks and twitches, wriggling too much like a fly on a web, in a way he knows will only make him look more like the helpless prey the doctor wants him to be. He looks up, desperate and afraid.
"Wh- what is this?" he demands, his voice broken and strangely muffled. He tries again to tug his hands free but the otherworldly shackles are unyielding, and he lets out a frustrated whine. "Let me go, let - let me go!"
The house itself seems to react. The fire suddenly erupts as though new wood had been added, crackling louder and brightening with impossible intensity, like it wants to drown out the new shadows binding Johnny to the wall. The door swings violently open and there comes a heavy draft, like it's opened onto a vacuum, trying to pull them - no, just the doctor - back out. You're not welcome here.
no subject
That is... magnificent.
Of course, Johnny isn't there yet, but the raw panic in him makes Unthank smile.
And then with a rush, the door slams open. He frowns, mouth pursing into an almost petulant little moue. The house-- this house-- doesn't like him much, it would seem. He can feel, in fact, how strongly it wants him to leave, the very air heavy with unwelcome. He allows a few moments to string themselves together, waiting to see if the house will do anything else, but it does not. Deliberately, Unthank crosses over to the door and firmly closes it, giving the jamb a little pat with one hand.
'Cheeky,' he admonishes. 'I am conducting business here.'
He can practically feel the room glowering at him, fire licking higher for a moment, but nothing further follows, and he subsides back into the centre of the room, a pleased smile curling the corners of his mouth. Back to the business at hand. Back to dear, defenceless Johnny.
The shadows he'd summoned are still at hand, binding Johnny in place, and Unthank pivots delicately on one heel, pacing back until he's standing within inches of the boy.
'Your dreams, I believe,' he says mildly. And then, voice dropping low and gravelled, 'You said you dreamt of being devoured.'
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"But-" What, you idiot? There's nothing he can say. This is what he asked for, what he wanted, and still wants, somewhere down in the dark pit of him. Still, reflexively, he strains against the bonds, wriggling his hips, pushing his head forward and down, like a man trying to curl up and make himself sink.
no subject
The words are a parody of comfort, and his hand strokes insinuatingly up to alight, again, at Johnny's neck. The pulse is racing fit for Johnny's heart to burst, if this were his physical body, and Doctor Unthank leans further to taste the pulsepoint just under his ear, paper-thin skin and bird-bones beneath, and hums softly with the sheer, indulgent pleasure of it.
'Ask,' he says. Commands. 'Tell me what you want, hmm? Give it words, and I'll give it you, with pleasure.' Whiskers bristle against Johnny's neck as he smiles again, drawing back to brush his open mouth over Johnny's, damp skin catching for only a moment, before there's nothing more than breath between them. He looks down at him with hooded eyes.
'And if you're good... hmm, I think I'll have you suck me after.'
no subject
"I," he breathes, and swallows hard, shivering beneath Niall's hands and the press of his body. "I want you to use me." He hears himself speak the words at some distance, or under water, looking outward at himself in horror and rage, as he so completely, desperately, hungrily surrenders.
It only gets worse. "Touch me," he whispers, his eyes fluttering shut. "Ruin me." A sob almost escapes him and he clamps it down. "Please."
no subject
'Ohhh,' he breathes, voice so soft. 'Cry, boy, do.' He leans in again, just barely, enough to curl his tongue up and under, to catch on the upper row of Johnny's teeth and his lip. 'They say it's good for you, don't they?' he breathes, smiling a mockery of consideration, 'Your modern doctors.'
And then, just to confuse the senses, he slides his hand down between them, palming the taut, shivering plane of Johnny's belly before sliding under the waistband of his trousers. His other hand pops the button, and the pressure of his wrist is sufficient to part the teeth of the zipper, whereupon he draws his prick out without ceremony, fingers curling around the hot length of it.
The shadows he's conjured all around them are cold, unnaturally dense, and his grip will feel an unnatural-- or perhaps a too natural-- counterpoint to the clutching at Johnny's calves and arms. Pulling back enough to get a good view of Johnny's face, he twists with his wrist, starting a slow, tortuous jerk, eyes always on Johnny's face, not bothering to watch what his hand is doing. His knees and thighs are still pressed to Johnny's.
'And what will you give me, if I do?'
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Johnny would be lying to himself if he said that wasn't exactly what he wanted.
The hand leaves his throat then, brushing over his heaving chest and quivering stomach right to his jeans, and he can't help a nervous inhalation as Niall opens him up and takes him in hand.
He twitches and writhes against the shadowy bonds pinning him to the wall, cold and unyielding, such that Niall's grip is a grounding point of contact; and as he tugs and rubs slowly, agonizingly, Johnny can only stare up at him, silently begging, wholly destroyed.
His first several attempts at speech come out breathless and silent, until a sharper jerk draws a plaintive cry from him, breaking the spell, and he says all at once, the words tumbling out of him on a desperate moan, "Anything, anything. Anything you want." He gasps and sobs as soon as this is uttered, and softer, he tells his master "Please."