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applesaucemod) wrote in
applesaucedream2014-04-25 09:59 pm
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Entry tags:
- character: daine sarrasri,
- character: gabriel,
- character: johnny truant,
- character: peeta mellark,
- character: spike,
- character: sunshine,
- dropped: aglet bottlerack,
- dropped: aiden,
- dropped: andrew noble,
- dropped: bruce banner,
- dropped: james wood,
- dropped: jennifer strange,
- dropped: jodie holmes,
- dropped: the doctor (8),
- party post,
- retired: peter vincent,
- retired: yuri kostoglodov
May the odds be ever in your favor
In the dream there is a jungle. In the jungle, there is an impossible inland sea, briny like the ocean but surrounded by land on all sides. Around the sea there is a beach, and in the sea there is an island. On the island, there is a a cornucopia, a great curled golden horn with an opening that yawns twenty feet high. Around the cornucopia, land bridges stretch like spokes of a wheel from the island to the beach.
Inside the cornucopia, there are weapons. Everywhere, hidden well enough to escape the attention of all but the most carefully observant, there are cameras. Above is a false sky, an electric dome that stretches over the round expanse of jungle and disguises itself as the illusion of more jungle where it touches the ground. To touch it is to be electrocuted.
Those who hike off into the jungle may not ever reach the edge of the dome and learn how thoroughly they are trapped. An invisible, almost always intangible line extends from each of the island's spokes to the edge of the dome, a barrier between dangers for which there is no warning. Viewed from above, this round jungle begins to resemble a clock with its face divided into twelve wedges that all converge on the cornucopia. Unfortunately for the dreamers, this clock keeps time.
At the stroke of twelve, lightning strikes in the segment toward which the tail of the cornucopia points. At the strike of one, catastrophe moves clockwise and the next segment rains blood. Disaster strikes at the beginning of each hour, moving slowly but inexorably all the way around the jungle until it comes back to the beginning and starts again. Some segments represent near-inevitable death for anyone caught in them at the wrong moment, while others simply torture their captives or twist their perceptions. The beach and the island might seem to represent safety and reprieve, but some threats, like the wall of saltwater that comes crashing through the jungle at ten o'clock, reach even that haven. And though the world outside the jungle may be watching, that world is beyond the dreamers' reach. No one may pass beyond the dome except by awakening from the dream and leaving this place entirely in favor of the waking world.
Welcome to the Quarter Quell.
[Mod note: Same drill as always. All players and characters are welcome, current members or no. Characters will remember or forget any and all dream events at players' discretion. Death in the dream does not result in real death. Post your tags under the header for the section of the clock in which your thread takes place (if the thread takes place in multiple sections, put it under the header for the section in which it begins). Threads can take place at any time; note what time your thread begins when starting a new one so other players know whether the section will be active. Multiple threads per header are allowed. Dream time passes more quickly than real time (and is kind of timey wimey anyway), so feel free to subject your characters to as many or few hours as you wish.]
Inside the cornucopia, there are weapons. Everywhere, hidden well enough to escape the attention of all but the most carefully observant, there are cameras. Above is a false sky, an electric dome that stretches over the round expanse of jungle and disguises itself as the illusion of more jungle where it touches the ground. To touch it is to be electrocuted.
Those who hike off into the jungle may not ever reach the edge of the dome and learn how thoroughly they are trapped. An invisible, almost always intangible line extends from each of the island's spokes to the edge of the dome, a barrier between dangers for which there is no warning. Viewed from above, this round jungle begins to resemble a clock with its face divided into twelve wedges that all converge on the cornucopia. Unfortunately for the dreamers, this clock keeps time.
At the stroke of twelve, lightning strikes in the segment toward which the tail of the cornucopia points. At the strike of one, catastrophe moves clockwise and the next segment rains blood. Disaster strikes at the beginning of each hour, moving slowly but inexorably all the way around the jungle until it comes back to the beginning and starts again. Some segments represent near-inevitable death for anyone caught in them at the wrong moment, while others simply torture their captives or twist their perceptions. The beach and the island might seem to represent safety and reprieve, but some threats, like the wall of saltwater that comes crashing through the jungle at ten o'clock, reach even that haven. And though the world outside the jungle may be watching, that world is beyond the dreamers' reach. No one may pass beyond the dome except by awakening from the dream and leaving this place entirely in favor of the waking world.
Welcome to the Quarter Quell.
[Mod note: Same drill as always. All players and characters are welcome, current members or no. Characters will remember or forget any and all dream events at players' discretion. Death in the dream does not result in real death. Post your tags under the header for the section of the clock in which your thread takes place (if the thread takes place in multiple sections, put it under the header for the section in which it begins). Threads can take place at any time; note what time your thread begins when starting a new one so other players know whether the section will be active. Multiple threads per header are allowed. Dream time passes more quickly than real time (and is kind of timey wimey anyway), so feel free to subject your characters to as many or few hours as you wish.]
TWELVE
ONE
One o'clock
The advent of rain is a bit less easy to take in stride. She doesn't have an umbrella or anything. Humid and wet is slightly better than cold and wet, so at least she has that going for her…
… and then a hot droplet strikes her arm, and she stares down at it in dawning horror. Oh, no. Oh, gods. She's had this nightmare before - or ones like it - and she knows what's coming. More heavy drops join the first, falling faster, now, and it's not water, it was never water, it's a goddamn kali rain of blood. She lets out a wordless cry of mingled horror and protest and stumbles over to the ostensible cover of a tree, but it's only a temporary refuge. Soon, the blood is falling in such a torrent that there's no shelter to be had. Sunshine bolts, no direction or destination in mind, as the deluge soaks into her clothing and hair and covers her skin in a sticky, crimson sheen, choking her, blinding her. Her foot snags on a raised root, and she lands in a lukewarm puddle of bloody mud. Clawing for purchase, she manages to get to her feet once more and continue stumbling, heading downhill because that's the only direction she can even discern, anymore, with her eyes all but glued shut.
She's never had a nightmare like this. It's never been this terrible, this heavy, this inescapable. Why hasn't she woken up yet? She can barely breathe, she's so covered in blood that any attempts to wipe off her face only make things worse, and when she opens her mouth to gasp for air, the coppery taste of it makes her gag.
She doesn't see the beach. She's only vaguely aware that the ground feels different beneath her feet, and then a moment later she's falling into the water. She accidentally inhales some, chokes, gags again, and then registers that this is salt water, not blood, and that the downpour has stopped. Shivering violently, she heaves herself into a sitting position in the shallow sea and gasps for air.
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Re: ONE
Raising his arms, Dracula shouts out a command in some ancient language, but his powers fail. This unnatural rain does not respond, as ordinary rain would, to his magic. Well, then. Thirst abated, Dracula seeks shelter. He's had enough.
TWO
Ten 'til two o'clock
He makes a face and flaps a hand at an overlarge insect flying by. Alright, jungle. He's been in jungles before. Deciding he'd like to see if anyone else is in this jungle, he cups his hands round his mouth and calls out a "Halloo!"
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THREE
A quarter to three o'clock
She strides down the beach and into the water, letting it wash around her ankles. Cold saltwater would be best, but warmer saltwater does the trick as well; it's enough of a magical boost for her to feel all the People in the surrounding jungle. And that's what's wrong. Some of the minds feel normal, healthy, but some are… it's like they're sick, or something. Her frown deepens. What's wrong with them?
Re: A quarter to three o'clock
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FOUR
4:02 [TRIGGER WARNING: ABUSE]
What he hears, first, before he has time to register where he is -- ordinarily he's become quite sensitive to the Dreaming, but not so tonight -- is pity and loathing. The birds flit around him wildly, too, too close to him, such that he's paralyzed even without the barrier. He ducks down, covering his head as the voices tell him he's worthless, a worthless little shit, no one could ever love him, not even these birds can find a single person. Raymond tells him what a waste of air he is, what trash, boy, I'm gonna kill you this time, I swear to god.
Then his mother cuts through.
"Johnny dear," she cries, that voice that's so old and so grounded in his heart. "Johnny Johnny Johnny Johnny-"
Not really a cry for help, so much as a bombardment. Johnny covers his ears and screams to drown her out. It doesn't work.
"Pathetic little creature," sneers Zagreus. "You should have stayed with me. I'm going to take you apart and you'll be better for it."
Johnny scrambles through the jungle, desperate to escape the noise, and hits his head sharply on the barrier. He presses his hands against it, helpless, beating on it uselessly. He tries to dig his fingers into it, to shift it, but his power is useless here.
"Johnny!" screams a new voice. A young woman. Charley? "Johnny, help me!"
"Make it stop!" screams another woman, or is it a girl? It's Jodie, somewhere between the Jodie he knows and the Jodie he met in her nightmare. "They're hurting me!"
"Where are you?!" Johnny turns around, convinced he'll see her behind him. He screams into the distance: "Jodie!"
He can't help her. He can never help her. Zagreus laughs at him, and Gdansk Man asks him if he's got a death wish.
There's something else he hasn't heard before, not in his dreams, not anywhere. Someone screaming, tortured, agony on a scale he hasn't ever known. It chills him down to his blood and bones.
"Gabriel!" Johnny struggles through the whirlwind of birds, trying to find the source of the cries. Images flash nonsensically through his head, Gabriel with wings, curled over, anguished and afraid. They're hurting him. They're hurting him and there's nothing, fucking nothing, he can do.
"Stop it!" he screams, his voice breaking. "Stop it, stop!" He sinks down to the earth, curling up, holding his head tightly, wishing he could crush himself, wishing he could disappear.
4:40 (tw-wise yeah things are not going to improve, let's just say that)
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5:00
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TO THE QUICKSAND
AWAAAYYY ~
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cw: racism
so rude, Mrs. Bates
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4:50
Feathers brush against his face and hands and he flinches back from them. He hears angels. They're screaming in every language he knows, but in Enochian most of all, pleading with him to come back, to save them. He twists around and pushes through the flock, but there's no point to it. They're everywhere. Some voices he can pick out above the others. Lucifer and Michael don't plead with him. They only scream in pain.
He knows this isn't real, this isn't really them, but he can feel himself starting to panic. Is this the rift taking revenge on him for helping the TARDIS escape it?
Beyond the cacophony of angel voices and the rushing of wings, the TARDIS' voice calls out his name. Like the others, she sounds like she's in pain, needing him. He doesn't feel her here, but he pursues the voice anyway. He knows the angels can't really be calling for him, but she could be.
"TARDIS!" He shouts, the sound muffled by the flapping of wings. "TARDIS, are you here!"
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ten minutes move fast in dream logic
nyooom
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6:00
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cw violence and blood!
more blood, more violence
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welp
[more gore, more violent death, and a minor emetophobia warning]
FIVE
SIX
Re: SIX
SEVEN
7:10 to 8:00
But it didn't. The feeling of immediate danger has ebbed, but he's not exactly done feeling uneasy. He's in a fucking jungle, for one thing, which is about as far as you can get from the Vegas strip (or Manhattan, for that matter). What can he do about it, though, but keep moving? He trudges along through the undergrowth, swearing under his breath and slapping at flies. He doesn't even realize he's moved into a new area, just that after a few minutes he finds himself among flowers.
Bright...pretty flowers. Peter slows and stops, blinking languidly around at the plants surrounding him. Lovely scents waft through the air, and he finds himself drawn to a big, purple bloom. It smells even better than it looks, and he stands there taking deep whiffs off it for a solid minute. When he's done he looks around, a troubled expression on his face, and he frowns as his gaze lights on a small rock at his feet. That's not right. It shouldn't be like that. Stooping, he plucks it out of the earth, turns it over, and deftly puts it back where he found it. There. Much better. Another stone catches his eye a few feet away, and he takes a few steps to do the same to that one as well.
And then another.
And another.
Until 8:00, Peter can be found studiously seeking out every stone on the jungle floor, pulling them up out of the dirt, turning them over, and putting them back. A lot are small and take only a moment, but at some points he'll spend several minutes scooping dirt out from around large rocks with his bare hands in order to turn those over as well.
EIGHT
NINE
TEN
8:45 (option to wander into Nine, stay here long enough to drown, or other)
He's luckier than he might have been; there's no metal on him and he doesn't exactly hit it hard. There is, however, a massive jolt to his system as he bangs into it and as the camouflaged barrier ripples for twenty or thirty feet around the impact. Yuri is knocked backwards to land on his back, banging his head and knocking the wind out of him. For a few moments he just lays there and chokes for air until his lungs refill in a sudden gasp and he lets out an "Aa-aa-ah," of pained surprise.
Let's just see where the evening takes us.
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ELEVEN
Re: ELEVEN
Then she sees it, a swam in the shape of something up ahead and heading her way. Dream or not instinct takes over and the blonde attempts to run in the opposite direction.
New person!
Re: New person!
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THE INLAND SEA
tbd
There are an awful lot of knives here. Aglet gingerly picks his way through the collection of weaponry, not especially thrilled that his options for cover mostly involve giant blades. He presses himself against the inside of the cornucopia's mouth and peers out, wondering if pinching himself would really work.
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TWELVE
There is no one in sight, but he knows better than to call out. For Katniss. A quick, frantic glance around reaffirms that there is no one else to be seen, so Peeta grabs a machete and a smaller knife from the piles of weaponry around him. There's a small bag just inside the lip of the Cornucopia that, on inspection, holds some essentials, so he straps that across his back as well, the memory of thirst pounding in the back of his mind.
With one eye on the water, he picks the land bridge that begins at the mouth of the Cornucopia and sprints along it toward the beach. He gives the edge of the jungle a cursory glance as he spins in place on the sand, taking in the arena as a whole. What time is it?
Even as he thinks it, the first bolt of lightning strikes the tree at the top of the jungle directly across the water from him. Shaking away memories of explosions and the gentle sensation that something is wrong, Peeta focuses on the here and now. If he's across from the lightning tree, that puts him at six o'clock. Closing his eyes for a moment, he pulls up the memory of a map drawn in the sand before crouching and replicating it.
Six is the beasts. He gives the jungle at his back a dark look. He doesn't know what is on either side of him, but he decides to walk along the beach, heading toward the lightning tree. That might allow him to avoid the traps in each slice of jungle, and maybe he'll come across some sign of others. Of Katniss.
Checking that bag and knife are secure, Peeta tightens his grip on the machete and sets off along the sand.
[OOC: Since this dreamland is from Peeta's world, I thought I'd add this here. Peeta will mostly keep to the beach in this thread, but he may pop into the other jungle segments (such as for water), and certainly could be drawn into a specific area under the right circumstances. If you specifically want him to come into the segment your character is in (i.e. your thread), contact me. :D]